Utilizing Jazz Traditions in Marching Band

Let’s review:

The Hey Song teaches jazz traditions:

  • Call and Response
  • The Blues

Developing bass lines teaches improvisation techniques and helps establish foundation for playing songs.

  • 1-2-3-5 or do-re-mi-sol
  • 1-2-3-5-3-2-1-7 or do-re-mi-sol-mi-re-do-ti

 

Jazz Band Camp:

Feeling the backbeat

Circle up

count and clap a 3 pattern, then 5 pattern and 7 pattern

The Clave:

  • 3-2  or 2-3
  • Not Fade Away (Rolling Stones)
  • Ike-Iko (Dr. John)

 

Big 4 Rhythm

The Saints Go Marching In

do-mi-fa-sol   do-mi-fa-sol  do-mi-fa-sol-mi-do-mi-re

mi-mi-re-do  do-mi-sol-sol-fa  mi-fa-sol-mi-do-re-do

The Bottom Line

Developing techniques to improve improvisation and explore composition

Screen Shot 2014-04-28 at 1.05.00 PMLet’s face it – we all are bass player wannabes, it’s just that many of us are intelligent enough to know that carrying a tuba around has its problems. And a string bass? I don’t think so. Even a bass guitar requires a bigger amp!

But we love what bass players do. And what they do is especially cool. Did you ever see a group of tourists being led around by a guide carrying a little flag? That’s the bass player, leading us from site to site, or chord to chord in a musical sense.

But what, exactly, is their job? And how do they lead?thinking

Let’s brainstorm:

  • Timekeeper
  • Tonal anchor
  • Provides tonal and rhythmic direction

The Blues

The simplest and most common song form. The blues is a 12 measure song form. Each verse is a repetition of the same 12 measure pattern, so the repetition makes it is easy to learn. The blues is based on a simple chord pattern that is familiar to American jazz and popular music, usually involving just 3 chords. Jazz educator Jamey Aebersold compiled a wonderful text called the Jazz Handbook, available free as a pdf through this link. On page 35 he includes Dan Haerle’s 17 examples of blues progressions. For this lesson we will concentrate on variation 1.

  1. I – I – I – I

  2. IV – IV – I – I

  3. V – V – I – I

In the key of C a I chord is C, a IV chord is F, and a V chord would be a G. Also, in the blues all chords are dominant (they contain a dominant, or flat, 7th). This is the only form of music where the dominant chord is used in this way. 

Here is what a bass player might see. What to do?

exampleIn this example, the slashes are shorthand for quarter notes

Play roots

Play scale tones

1-2-3-2 or Do-Re-Mi-Re

1-2-3-5 or Do-Re-Mi-Sol

1-2-3-5 / 3-2-1-7

Build in Backgrounds

3rds and 7ths will work well

  • In the key ofBb:
    • I chord isBb
      • 3rd is D
      • 7th is Ab
    • IV chord is Eb
      • 7th is Db
      • 3rd is G
    • V chord is F
      • 7th is Eb
      • 3rd is A
  • So, begin on the 3rd of the I chord and play notes in red: D, Db, Eb (3, 7, 7)
  • Or, begin on the 7th of the I chord and play notes in green: Ab, Db, A (7, 3, 3)

 

 

Add a Response

Screen Shot 2015-03-24 at 12.52.29 PM

More blues tunes: Huckle Buck (Now’s the Time), Count Basie, Blue Monk, Blue Trane, C Jam Blues, Freddie Freeloader, Mr. P.C., Sonnymoon for Two, Straight No Chaser, Tenor Madness, K.C. Blues (Max Roach), Blues Back, (Art Blakey), The Blues March

Improving Performance Through Jazz Traditions

 The Hey Song!

  • Sing Call &Response section
                  • What just happened?
      • Call and response as jazz tradition
        • What notes are we playing?
        • Let’s talk about the blues
      • Play Hey Song and open up C&R section
          • sing – play
          • have individual students try to do call
      • Let’s see where our tradition came from
      • Cab Calloway: Minnie The Moocher

Three Videos

The Lick

    • A montage of different musicians playing a popular “lick” compiled by Alex Heitlinger.  Musicians rely on licks to build improvisations. (Thank you, James Leddy for directing me to this video!)



There is even a Facebook page dedicated to “The Lick”!:

Ella Fitzgerald: One Note Samba

  • Vocalization has always been a critical component of jazz improvisation and Ella was the greatest of all scat (improvising) singers.


Babies Dancing! Irresistible.

  • What is it about music that so naturally reaches everyone?
  • Why do we lose this natural reaction to music as we grow?
  • Let’s rekindle our innate love of music, lose our inhibitions and get back to making and enjoying music!

Listen To Sarah Vaughan sing Sassy’s Blues 

Screen Shot 2014-04-26 at 2.37.36 PM

  • Learn and sing three choruses

 

 

edited version

Here is the full version of Sassy’s Blues

 

 

 

Listen to Cherry Point by Count BasieScreen Shot 2014-04-26 at 2.38.32 PM

  • intro
  • piano solo
  • horn licks
  • Head :42
  • call and response 1:07

Count Basie: Cherry Point

Listen again

  • Sing Head
  • Play Head

Play Along with Cherry Point!

 

 

 

Let’s listen to Bird: Charlie Parker!Screen Shot 2014-04-26 at 2.33.36 PM

 

 

 

 And let’s play Now’s the Time!

Click here for the music to NowsTheTime