Monthly Archives: April 2017

Chrissie Iles Curator at the Whitney Museum of American Art @ The Stony Brook University Department of Art | Monday, April 24th | 12pm – 1pm | 2nd Floor Staller Seminar Space

Chrissie Iles Curator at the Whitney Museum of American Art @ Stony Brook University Department of Art | Monday, April 24th | 12pm – 4pm | 2nd Floor Staller Seminar Space: Chrissie Iles is the Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art. Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Marina Abramovic, Louise Bourgeois, Dan Graham, Donald Judd, Sol LeWitt and Yoko Ono. She also curated several group exhibitions including “Into the Light: The Projected Image in American Art 1964-1977″; “Scream and Scream Again: Film in Art”; and “Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s.”

 

Takahiko Iimura @ Nobi’s Studio in Manhattan Saturday, April 22 from 7pm

Film Viewing Event with Takahiko Iimura: Saturday, April 22 from 7pm

Location: 315 7th Avenue 19D/corner of west 28th (Nobi’s studio) 5 min. walk south from Penn Station 7th ave. exit

Refreshments and discussion to follow after the viewing. Please sign up-so that I can get the headcount. http://doodle.com/poll/5czddkan8tnupbc6

George Maciunas, Jeff Perkins and critic Jerry Saltz may join us.

A pioneering figure in the New York and Japanese film and video undergounds, Taka iimura has had a tremendous impact upon the development of experimental cinema in both the U.S. and Japan. iimura’s work in video has concentrated on deconstructing the language of video, especially video’s power to obscure the author of the image, through the audience’s immediate acceptance of what is shown on screen as true. iimura establishes a relation between the self-reflexive nature of language and the simultaneous feedback characteristic of video, exploiting this relation to investigate the shifting position of video’s subject (who is behind the camera) and object (who is in front of the camera). Through his videos, which read like elaborate semiotic riddles, iimura has educated audiences to the structure of video in a way that has profoundly changed the way the medium is viewed.

He is a widely established international artist, having had numerous solo exhibitions in major museums such as the Musem of Modern Art, the Whitney Museum, Anthology Film Archives, Centre Georges Pompidou, the National Gallery Jeu de Paume, Palais des Beaux-Arts, Reina Sofia National Museum, and the Tokyo Metropolitan Museum of Photography, in addition to artist residencies at the German Academy of Arts and Bellagio Rockefeller Foundation Study Center. Recently he has been involved in using computers, publishing more than 20 DVDs/CD-ROMs, and writing several books on film, video, and multimedia, including a book published in English, “The Collected Writings of Takahiko iimura”. “I am concerned with the whole system of video, not just what you see on the screen, but including the camera, monitor, the whole system.”
—Takahiko iimura