Fellow Rachel León on our March 2022 BookEnds alumni group author event
Rebecca Morgan Frank works across several genres and brought this interdisciplinary approach to her talk, entitled “There Were Nine Muses: Expanding the Writer’s Life and Practice.” She’s the author of four books of poetry, most recently Oh You Robot Saints! (Carnegie Mellon University Press), but she also writes short stories, essays, and reviews, and collaborates with composers. Drawing on her rich artistic background, Morgan explained that not only can we draw inspiration from painters, composers, choreographers, and other non-writer makers, but also we can learn from them, and even “steal” their approaches. She gave us several examples, including prompts from Gregory Halperin’s The Photographer’s Playbook to see how to apply them to our writing.
It was an idea I hadn’t considered. While I grew up writing stories and dabbled in poetry as a teenager, I’d always seen writing and visual art as separate spheres and resisted the idea the two could overlap, partially because I saw them at odds. I attended college on a significant art scholarship and was in the middle of taking studio classes for my art major when I had my first child. It was like I’d given birth to a new creative brain in the process: I felt unable to draw, sculpt, or paint, but inexplicably wanted to write fiction. I tried to describe my predicament to my art professor—I just can’t anymore… but it was inexplicable. I’ve long tried to make sense of it (could it have happened out of necessity as writing can be done quietly and in spurts, whereas I painted while listening to loud music and needed hours at a time?) but the reason matters less than the aftermath: I abandoned visual art in favor of writing.
After Morgan’s talk, we had an informal discussion about the way we’d all switched to writing from another discipline—the contrast of the collaboration of music theater versus the solitude of writing and the physical limitations of the body to return to the demands of ballet in middle age. As a recent alum, I’m still getting to know those in the cohorts before my BookEnds year. I’ve been friends with Jennifer Solheim for years, so I knew she was a bassist, singer, and songwriter in several indie punk bands. But in conversation with Morgan, I discovered that Sheena Cook and April Darcy studied classical music prior to writing; Daisy Alpert Florin was in musical theater; Sue Mell, like myself, was first a visual artist; and like our guest speaker, Marian Donahue was once on track to become a professional ballerina. It was delightful to learn all of us shared a creative lineage that didn’t start with writing.
We also discussed how returning to art forms—or exploring new ones— can help our writing practice. For example, Marian’s novel is structured like an art exhibit, and she’s begun delving into art herself. Sue returned to visual art to design the cover for her novel, Provenance (out July 2022 from Madville Publishing) and Jennifer’s novel Interstitial centers around a rock band. April recently returned to playing the piano, while Daisy is taking lessons and finds comfort in the freedom to do it for enjoyment without the pressure of having to be good at it. This is something I could relate to: I took up dancing on my fortieth birthday for nothing but my own pleasure.
Creating for enjoyment is something we can lose as writers when we get mired in the goal of publishing. Another thing Morgan addressed was the two sides of the writing process: the creative side, where our imaginations reside, and the publication realm, which is task-driven, applying, submitting, and getting our work into the world. While both spheres are necessary, we want to keep them separate when we’re creating. One way we can do that is through bodily practice—the physicality forces us to leave behind things like social media, which is notorious for distracting us, yes, but also pulls us into the marketplace of competition. She quoted the late Martha Graham, modern dancer and choreographer, who said, “This is not competition, there is no competition. You’re in competition with one person only and that’s the individual you know you can become.”
Being part of a supportive writing community like BookEnds and the alumni group helps remind us of that quote. Despite how it can feel—particularly with social media—we aren’t in competition with other writers. Rebecca Morgan Frank’s nourishing and inspiring talk reminded us of that, and how we each have a unique sensibility and can draw from our past creative backgrounds. Perhaps writing and visual art aren’t as antithetical as I thought when I was a new parent. Maybe it’s time for me to return to see how these art forms speak to each other through my own practice.
Rachel León is a writer, editor, and social worker. She serves as Fiction Editor for Arcturus and Reviews Editor for West Trade Review. Her work has appeared or is forthcoming in The Chicago Review of Books, Fiction Writers Review, Entropy, Nurture, Necessary Fiction, (mac)ro(mic), The Rupture, Split Lip Magazine, and elsewhere.
