Welcome to my blog! My name is Brian Eberle, and I’m a 2nd year PhD student in the English department. In spite of being a member of what somebody once termed the “look at me” generation, talking about myself has always felt like an onerous task—especially online. However, the opportunity to improve the way that I communicate through writing in online settings like blog and discussion posts is one of the reasons that I’m excited about taking this class. So, here goes!
I’m originally from California where I got my BA from Chapman University and my MA from California State University, Long Beach. I moved to New York in 2017 and started at Stony Brook in the Fall of 2019. Before my move, I taught English classes at community colleges in Southern California, which brings me to another reason that I’m excited to take WRT 614: I’m hoping to get a better understanding of how digital spaces shape students’ writing habits. Although the courses I taught relied on certain digital tools like email, Blackboard-type sites, and the occasional use of YouTube, I was reluctant to stray too far from many of the models of writing instruction that I’d seen my teachers using. So, for the sake of my future students, I’m looking forward to gaining more familiarity with multimodal rhetoric here.
Additionally, I’m interested in digital literacy from a research perspective. I study British modernism and am particularly interested in how changing conceptions of urban space impacted the narrative styles we see in modernist novels. Although this period is typically thought of as having taken place between 1890 and 1945 in Europe and the US, scholars are reevaluating locating the movement in such a narrow time-frame and space. Instead some, like Susan Stanford Friedman, see modernism as the aesthetic reaction to modernity more generally: different modernisms occur during different periods in different places. Because of this argument, I’ve begun to give more credence to the idea that we’ve applied “post” in postmodern a bit prematurely and that many writers and artists are still engaging with the world in ways that might appropriately be described as modernist. Additionally, I would argue that both the excitement and anxiety over contemporary technical advances, as Werner Herzog depicts in Lo and Behold: Reveries of the Connected World, parallel the reactions of many modernist writers to the shifts that took place during their own lives. While Herzog doesn’t touch on many artistic or literary responses to our (over)reliance on the internet, I think that it’s worth considering how we might think of those responses in terms of modernism and modernity. To better understand this, I’m hoping to increase my own digital literacy.
Thanks for reading! I’m excited to interact with all of you in the coming weeks!
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Hi Brian, nice to meet you (virtually)! One of the aspects of digital rhetoric that excites me the most is the effect that it has on our sense of space, so your research sounds fascinating to me and I can’t wait to hear more about it. Many aspects of cultural response to digital culture were indeed foreshadowed by the modernists, postmodernists, and writers and artists of previous eras as technological change has always been a huge factor in the artistic consciousness and production. The postmodernist artists and theorists who seemed rather difficult to parse in the 1980s make a lot of intuitive sense now, don’t they? (I remember when Derrida and Foucault seemed very radical and strange, not to mention Donna Haraway.) Some of the earliest efforts of digital humanists in the 1990s came from literary scholars; historically these are very interesting and some of them are still around due to the persistence of online work and also because people are still working on them. George Landow, author of Hypertext (on your reading list), is one of those people–his early online experiments were in creating a website of links for Victorian literature. You can see some of his work here http://www.cyberartsweb.org/cpace/ It is very basic and very old work from a design standpoint but interesting. You can also explore Eastgate, which was an early experimental program for creating online fiction, and where the early digital masterpiece Patchwork Girl was created. http://www.eastgate.com/