College Teaching Seminars for Graduate TAs & Postdocs: Spring 2022

College Teaching Seminars for Graduate TAs & Postdocs: Spring 2022
Sponsored by the Center for Inclusive Education (CIE) and the Center for Excellence in Learning & Teaching (CELT)

Full descriptions and registration are available on our calendar.

Google Calendar invitations will be sent to registrants and all sessions will be held on Zoom.

Seminar 6: Course Design Considerations
What is Backward Design? How can it help you plan/align all the elements of your course or lesson?

  • Wednesday February 2nd, 3:30 – 5:00 pm
  • Facilitator: Kimberly Bell, PhD – TA Development Specialist, CELT

Seminar 7: How Do Selected Learning Theories Support Pedagogy?
What are Constructivism & Metacognition & how can you incorporate them into your teaching?

  • Wednesday February 16th, 3:30 – 5:00pm
  • Facilitator: Kimberly Bell, PhD – TA Development Specialist, CELT

Seminar 8: Effective Teaching Online
How can you engage students online, both in asynchronous and synchronous courses and sessions?

  • Wednesday March 3rd, 3:30 – 5:00 pm
  • Facilitator: Kimberly Bell, PhD – TA Development Specialist, CELT

Seminar 9: Panel Discussion with IRACDA Postdocs
How have our IRACDA Postdoc implemented what they learned in these seminars? Ask your questions!

  • Wednesday March 16th, 3:30 – 5:00 pm
  • Facilitators: Panelists TBD

Seminar 10: Applying Your Pedagogy to Different Institution Types
How can you teach effectively at different institution types with different populations of students?

  • Wednesday March 30th, 3:30 – 5:00 pm
  • Facilitator: Kimberly Bell, PhD – TA Development Specialist, CELT

Group Work

Jennifer Jaiswal  Jennifer Jaiswal, Instructional Designer & Sr Instructional Technologist 

Am I the only one who has heard the collective groan when the class group work project is announced? Am I the only one who has had a terrible group work project, where I’ve been stuck writing the report or presentation on my own? Most students and faculty have had poor group work experiences. What are the reasons for having them in our courses?

Team work, holding hands
Image by Tumisu from Pixabay

As we prepare our students for the workforce, the National Association of Colleges and Employers have teamwork/collaboration as one of the top career competencies that employers are looking for college graduates to have. Working as a team also allows students to develop their competencies in: professionalism/work ethic, oral/written communications, leadership and more. These career competencies can all be developed through group work projects (NACE, 2019).

The group work assignments that we complete in our classes serve as a testing ground for how we should participate in groups in our professional lives after graduation. Assigning a group project with no guidelines or restrictions is not realistic and sets up groups for challenges. But what makes a good group project? 

Guidelines:

Don’t assign a group project without a team plan. Planning ahead can help to make sure that everyone in the group has an idea of what the group will be completing and what their own individual responsibilities are. Using a Group Contract can help students think through the key features of a functioning team and what they each will be responsible for in the project. 

Contracts should include:

  • Names and contact information: This helps to set up accountability and the ability to get in contact with each other. 
  • Team roles and responsibilities: Each team member should take responsibility for part of the project and list its responsibilities in the contract. Team members may take on multiple roles as part of their project, but listing out what their responsibilities are helps to balance the workload upfront and create the timeline. Some examples are: 
    • Leader – sets the agenda, sends reminders, and keeps team members accountable.
    • Researcher – gathers raw material for the group and cites sources; can be more than one in a team
    • Writer/Producer – connects the research together to tell the story
    • Editor – reviews the final draft for errors, references, and makes sure that it is ready to be sent to instructor or ready for presentation 
    • More roles and their descriptions can be found on the CSU: San Marcos page
  • Best Dates and Times to Meet:
    • Asking this at the beginning helps to avoid the conflict later. 
    • This helps to set up accountability and a schedule for touching base over the course of the project. 
    • You can also arrange your groups based on what times they are most available to help the group have a natural meeting time.
  • Timeline:
    • What are the tasks that need to be completed by each member of the group?
    • What is a reasonable time by which that task should be completed?
    • The Writer/Producer should work with the Researchers to set a deadline that gives them time to produce the project
    • The Editor should set the final timeline to make sure they have enough time to review and complete the project before the deadline.
  • Signatures:
    • All members should sign to show they agree with the written plan and turn a copy into the faculty member.

Getting Started:

If you are looking for a sample to get started see our Group Contract Template. This has suggestions for information that can go into your contract. You can make a copy and edit it to best meet your needs.

The description of your assignment should be clear and understandable with the knowledge that your students will have of the course and its content. It should be broken down into manageable tasks that students will be able to complete in the time allotted. Offering examples of previous projects that did well can also help students make sure they are not planning the scope of the project to be too big.

Creating a model where the group project can be evaluated on an individual basis can also help the group to function better. This shows that you are interested in all members completing tasks and working on the project together, and can help to prevent group members from becoming estranged, not participating or letting the other members carry all the weight of the project. For example, you can have a joint presentation but also have a reflection paper where students cover what they learned in the process of the project that can be evaluated for an individual grade. For more information and methods on assessing groups please see this article by the Eberly Center from Carnegie Mellon

Reflection 

Last but not least, ask your students to reflect on their process, the project, their participation, and other member’s participation. This gives the students the opportunity to alert you to any challenges in the group and if members were not participating equally. You can have reflections at multiple points throughout the project, not just at the end. Some sample questions you can ask are:

  • How is the team working as a whole? Are there challenges? What are they? How are they being resolved?
  • What have you been working on since the beginning of the project?
  • How have your peers been participating in the project?
  • What do you think of your own contributions to the project?

Thinking out the process of the group project and what the expectations are can help to make a better experience as students learn how to design and plan a project while learning how to manage and work with a team. For help with your group project please contact CELT.

 

Reference

NACE Staff. (2019, March 29). The four career competencies employers value most. National Association of Colleges and Employers (NACE). https://www.naceweb.org/career-readiness/competencies/the-four-career-competencies-employers-value-most/

Happy New Year!

Happy New Year 2022
Image by _Vane_ from Pixabay

Happy New Year! As we look forward to the spring semester, we wanted to share some ways that you can engage with CELT!

Join us for one of our scheduled courses, workshops, or panels!

  • Online Teaching Certificate (OTC) – March 21st – April 24th 
  • Online Teaching Certificate (OTC): Accelerated – March 30th – April 15th 
  • Publish Your Pedagogy: An Overview of Educational Research and SoTL (the Scholarship of Teaching and Learning) – February 15th from 11am – 12pm 
  • Amp Up Your Engagement! Using OSCQR to Check for Regular Substantive Interaction – February 17th from 11am – 12pm 
  • Make Learning Happen!  Promote Student Success Through the Exploration of Working Memory – April 19th from 11am – 12pm 

Find out more information and register!

Be on the lookout for CELT’s Conversations on Inclusive Pedagogy. We will kick off the spring with a panel discussion about feminist pedagogy and the teaching practice. 

Schedule a customized workshop!

In addition to our scheduled workshops, we are reaching out to share other topics that may be of interest to departments, small groups, and/or individuals. CELT would be pleased to schedule a session around one of the following topics or a customized topic of your choice. 

  • Design Your Course for ALL Students! Not all students learn in the same way. Creating courses that allow for diversity in how we interact with the content helps students to find different ways to engage and to connect with the course material. In this course we will discuss Universal Design for Learning (UDL) and redesign a course activity to be more inclusive.
  • What Inspires You to Learn and Teach? Building a Foundation for Your Teaching Philosophy (For TAs and Postdocs): If you are a Postdoc or TA preparing for your future career, join us for this workshop. We will explore and share what learning and teaching experiences have impacted you, what the components of an effective teaching philosophy are, and you will participate in an activity that will help you begin to develop your own philosophy. You will also hear specific advice and strategies for writing your teaching statement for job applications. 
  • Teach All of the Students in Your Course – Developing Inclusive Pedagogy: In this session we will reflect on the connections between social identity, privilege, and equity and how these can influence both you and your students. By becoming aware of our own biases and the identities that may be present in our students, we make great leaps in being able to manage our classrooms, prevent negative influences, and perhaps more importantly, develop strategies for open and honest communication to help us when we inevitably make mistakes.
  • Setting up Successful Group Work in your Online Course: The Phases of Engagement Model: By applying Conrad and Donaldson’s phases of engagement model, we can build student-to-student interaction in the online course and demonstrate productive group work and collaboration. These strategies have been shown to increase a sense of community and decrease feelings of isolation for students. Tools can include discussion boards, google documents, slides, infographics, and VoiceThread.
  • Jump Start Engagement with Active Learning: Active learning can improve student outcomes and keep students engaged during and in-between your class meetings. Getting started incorporating active learning, implementing it, and assessing its effectiveness can seem challenging. Join this workshop to hear more about why active learning works and strategies you can implement and assess easily in your courses right away.
  • Supporting Students’ Self-Regulation Skills in Your Course: In this workshop, we will go over the importance of self-regulation skills and how they are linked to academic achievement and academic success. We will also discuss how to model and help students develop these skills in your course. 
  • Avoid Academic Dishonesty with Assessment: This workshop will introduce you to assessment strategies that you can easily implement to prevent cheating. You will find that small adjustments to your existing assessment strategy can help prevent cheating and encourage student success, both online and in-person.

Please email celt@stonybrook.edu to set up a session or ask us a question. 

 

Engagement in the Educational Interface

Kristin Hall  Kristin Hall, Instructional Designer

You often may hear the term engagement in an educational setting, but what do we mean by engagement? According to a popular framework, Fredricks et al, (2004) describes engagement as a multifaceted, mega construct including behavioral, emotional and cognitive components. It is considered to be malleable and responsive to the environment which means instructors can influence a student’s engagement in their course. 

Overall, students who are engaged are more likely to be successful in their courses (Kahu, 2018) as there is research to support that engagement has a positive relationship with academic achievement (Fredricks et al., 2004, Kahu & Nelson, 2018). A recent framework developed by Kahu and Nelson (2018) seeks to expand upon the concept of engagement and describe the complex relationship between institutional factors and students’ backgrounds that influence students’ engagement. There are many factors involved including the University culture, policies, teaching as well as student motivation, skills, background and support. (See Kahu & Nelson (2018) for a more in depth review). 

Kahu and Nelson (2018) found through their research four factors that strongly influence student engagement including self-efficacy, emotions, belonging and well-being. While these factors are not a definitive list, they are critical factors to consider. Here are some strategies you can use in your courses to help students increase their engagement based on these four factors.

  • Self-efficacy: This is the student’s belief in their abilities. If a student believes they can be successful, they are more likely to be motivated, persistent, and use appropriate self-regulation skills. To build students’ self-efficacy, instructors can: 
    • build achievable assignments and assessments early on in their course to help build confidence 
    • break down large assignments into smaller parts to make them more manageable
    • provide a well-organized syllabus and course with clear expectations
  • Emotions: Learning is an emotional experience and recent research is paying more attention to academic emotions. Students can be experiencing a wide variety of emotions from enthusiasm and enjoyment to frustration, anxiety, and boredom. 
    • To build interest and enthusiasm instructors can: 
      • relate the subject matter to real-world experiences
      • incorporate varied and frequent assessments and activities
      • allow the opportunity for choice when appropriate (but not too much choice!) 
      • incorporate an appropriate level of challenge
    • To mitigate frustration, anxiety, and boredom instructors can: 
      • present clear and direct instructions for assignments and assessments
      • avoid questions that are designed to intentionally “trick” students
      • break down long videos into 8-10 minute segments
      • provide a well organized syllabus and course with clear expectations
  • Belonging: Belonging is described as how connected a student feels to their educational environment or the degree of fit they perceive (Kahu & Nelson, 2018). To increase a sense of belonging, instructors can:
    • practice inclusive teaching by incorporating diverse perspectives, creating an inclusive classroom climate, and examining your own implicit biases
    • use welcoming language within your syllabus and classroom
    • show you care about each students’ success
    • incorporate Universal Design principles in your courses
  • Well-being: Well-being is influenced by a students’ stress level. Stress can come from both school and personal factors and all can affect engagement. High stress levels are linked to a decrease in motivation and lower levels of enjoyment (Kahu & Nelson, 2018). All of the strategies listed above can mitigate stress levels and increase a student’s sense of well-being and in the end, can increase a student’s engagement. In addition, instructors are encouraged to:
  • include resources to support services on campus including Counseling and Psychological Services, Dean of Students, Academic Advising and Academic Tutoring

If you are interested in learning more about incorporating any of these strategies into your courses, feel free to email CELT. 

References:

Fredricks, J. A., Blumenfeld, P. C., & Paris, A. H. (2004). School engagement: Potential of the concept, state of the evidence. Review of Educational Research, 74(1), 59–109. https://doi.org/10.3102/00346543074001059

Kahu, E., & Nelson, K. (2018). Student engagement in the educational interface: Understanding the mechanisms of student success. Higher Education Research & Development, 37(1), 58–71. https://doi.org/10.1080/07294360.2017.1344197

 

Staying Secure Online While Teaching 

cyber lock Over time, faculty have been using more and more technology in their teaching. As we continue to live through the COVID pandemic, this has never been more evident. Here are some tips on how to be secure while teaching!

Share Your Screen Cautiously 

When you share your screen, make sure you are only sharing what you want your students to see. Shut down your email and personal accounts, sign out of chat apps, and review what tabs and bookmarks are visible. If you are sharing your Blackboard account, show it in “student preview” so you don’t accidentally show the grade center or other sensitive information. 

Protect Your Devices

You don’t want anyone to get a hold on the information on your laptop, phone, or mobile device, so be sure to always lock your screens in case you misplace a device. 

Protect Your Logins

Speaking of passwords, be sure to use secure passwords for your SBU logins! Passphrases (very long passwords in the form of a sentence) work best – they are more challenging to hack into. Multi-factor authentication is also beneficial. You can request a Duo account from DoIT here if you don’t have one already, and make sure to set up the Duo application on your smartphone or tablet, which is the easiest to use when logging in. Also, remember to set up a second device if you have one, such as a tablet or desk phone using the self-service portal. Never show your screen while logging into an account. This may give an indication as to what your password may be, and some logins show the actual character before changing it to an unidentified character. 

Click Cautiously

Be careful when clicking on links or opening attachments if you don’t know where they originated from. Tell students and colleagues you will only address emails sent to your SBU email address and sent from their SBU email address, so you don’t have to wonder who that suspicious email is from.

Model Safe Tech 

Knowing how to use technology well is not always the same as using it safely. Those who  grew up with technology being a part of their lives from a young age may not always give security the attention it deserves due to their increased comfort level. Others may overshare personal details about themselves without concern for the privacy or cybersecurity risks they may inadvertently expose themselves to. Model safety when using technology in your classroom and caution students when posting personal information online. 

For more information on how to stay safe online, check out DoIT’s Survival Guide for Safe Computing

Happy Birthday and Happy National Distance Learning Week!

Happy Birthday to our Blog!

A year ago today, CELT launched its blog during National Distance Learning Week. I would like to thank the CELT staff and the faculty who have contributed to the blog over the past year. A big thank you to our readers as well!

Later today, at noon, you can join us for the CELT panel discussion: Gender Inclusivity and the Teaching Practice.

In this session, panelists discuss ways to acknowledge, incorporate, and include gender identity and sexuality in course design, readings, assignments, and assessments. In terms of gender, we include trans and nonbinary identities, the use of pronouns, and how our disciplines are adapting to gender inclusion. Panelists discuss how they incorporate these topics into their teaching practice and why. We also weave in online delivery for National Distance Learning Week.

Panelists include:

  • Mei Lin (Ete) Chan, Assistant Professor, Biomedical Engineering
  • Chris Tanaka, Assistant Director of LGBTQ* Services
  • Andrew Rimby, Ph.D. Candidate and Queer Activist, English Department

Facilitators:

  • Carol Hernandez, Senior Instructional Designer, CELT
  • Catherine Scott, Assistant Director for Faculty Development – Testing, Assessment & Evaluation, CELT

Please register in advance to attend this Zoom meeting.

National Distance Learning Week, 2021 

This week is National Distance Learning Week (NDLW). If you would like to participate in NDLW, both SUNY and the United States Distance Learning Association are offering webinars:

We appreciate all the time you spend with us. If you have any suggestions for upcoming posts or if you would like to write a guest post, please reach out to us at CELT@stonybrook.edu

 

Copyright and Teaching Online

Carol Hernandez  Carol Hernandez, Senior Instructional Designer

copyright image
Image by U.S. Copyright Office: https://www.copyright.gov/title17/

The pandemic forced many, if not all instructors, to move their courses online or to a hybrid format. In that shift, questions of copyright have come up. In order to help instructors navigate through these questions, the SBU Librarians have created a newly updated Copyright Guide, a comprehensive resource that includes information specific to online teaching and learning.  

Start with the copyright basics page to get a foundational understanding of U.S. copyright law, what is protected, and how. Copyright is a form of intellectual property law that protects original works of literary, dramatic, musical, and artistic works such as poetry, novels, movies, songs, computer software, and architecture (U.S. Copyright Office, n.d.). Copyright protects both published and unpublished works. One or more authors or creators of the work hold the copyright except in cases where there is a “work-for-hire” agreement or a “collective work” where the authorship is transferred. 

Instructors may want to know more about how and when they may legally and ethically use copyrighted works as part of their course materials without obtaining permission from the copyright holder. There are circumstances when this can be done under Fair Use. These include teaching, research, criticism, commentary, and news reporting. However, it is important to do a self-check to assess whether your intended use of the material falls under Fair Use. Consider these four factors: 

  1. What is the purpose and character of the use?
  2. What is the nature of the original work?
  3. What is the amount of the work you plan to use as compared to the work as a whole? 
  4. What is the effect of using the work or part of the work when on the protected work’s market or value?

What if you must ask for permission to use a copyrighted work? This guide walks you through the process. Keep in mind that you might not need to ask for permission if: 

If you are teaching online, you may want to become familiar with the “Technology, Education and Copyright Harmonization Act” (the TEACH Act) of 2002. TEACH is significant because it explicitly addresses the terms and conditions by which accredited, nonprofit educational institutions in the United States are able to use copyright protected materials for distance education, which includes websites and digital forms, without needing permission from the copyright owner or the payment of royalties. 

What if you are already following copyright laws for your in-person course? Do you need to do something different for your online course? Fortunately, there is not too much difference in the way that copyright guidelines are applied. So as long as an instructor was following copyright laws for their face-to-face course materials, they will likely be in good shape for online course materials as well. 

What is not covered by copyright law that I may be using online? Copyright does not protect names, titles, slogans, logos, ideas, concepts, systems or methods of doing something. For those items, you may want to look at trademark law, which is also a form of intellectual property law (Prakash, 2020). 

The SBU Libraries will continue to update the copyright research guide, so it is a good idea to bookmark the site and visit it often. If you have any questions, you can send them to:  library_copyright@stonybrook.edu

 

References 

Prakash, P. (2020). What’s the difference between copyright and trademark? Copyright vs. trademark–learn the difference between these two types of property protection and what they cover. Retrieved from https://www.nerdwallet.com/article/small-business/trademark-vs-copyright

U.S. Copyright Office. (n.d.). What does copyright protect? Retrieved from https://www.copyright.gov/help/faq/faq-protect.html