EGL309: Scifi and Cogsci on the Screen

This week we watched Disney’s Inside Out and Star Trek Season 6, Episode 3 “Man of the People”. Both texts cover how emotions are inseparable from out cognitive systems and how emotions aren’t something that merely happens to us but are something that we create within ourselves.

In general, I don’t watch a lot of PIXAR movies which is really weird because I always end up crying over each movie during and after I’ve watched them. Recently, it was Inside Out and Soul that have made me cry like that. And they’re not even sad tears, they’re tears of resonance followed by neck and body chills.

Anyways, Inside Out follows a group of sentient emotions that live within the brain of Riley, who is experiencing a lot of new and varying feelings throughout the course of the film. The one thing I took notice of was how the character of Sadness was represented through out the film. I feel like PIXAR movies always try and touch on different important aspects of life that aren’t spotlighted on enough in this day in age. In this case, Sadness is represented as being suppressed by the other emotions. Joy, being Sadness’s contrasting counterpart, is seen trying to put down  Sadness and thinks there is no room or even necessity for Sadness within Riley’s “emotional headquarters”. I feel in today’s society, Sadness is almost an emotion used when you’ve reached a breaking point. In other words, you can be joyful or angry or even fearful with a snap of a finger but everyone’s sadness is so repressed and hidden. For instance, when was the last you cried in public? We see from the classroom scene, Fear is afraid of people casting judgement onto Riley as she stands up infront of the class and introduces herself. She begins to cry while looking back at memories from Minnesota and the Fear emotion kicks in as its embarrassing almost to cry in front of people, which is an unfortunate stigma in today’s world.

   

One other scene I would like to look at, briefly, is the scene pertaining to the creation of core memories. This is an example of the Theory of Social Construction. Each memory within Riley’s core memory bank are joyful memories but towards the end of the film, we see that even the most joyful memories are created through the other emotions. The particular memory in this case is Riley’s memory of the aftermath of losing the big hockey game. She’s sitting on a tree limb with her parents comforting her. All this time, Joy though the ending of this memory, which involves Riley being paraded and cheered at by her teammates under the trees was a core memory of joy but in reality it was a core memory of sadness turning into joy, not one or the other.  

In the Star Trek episode, “Man of the People”, the crew of the Enterprise recieve a distress call from a transporter ship called “The Dorian” which is carrying a Lemurians Ambassador named Ves Alkar and his supposed “grandmother”. We later learn that his “grandmother” is actually a 30 year old victim of Alkar’s negative emotions. One thing I would like to take notice of was the fact that Lieutenant Worf is seen teaching a mok’bara exercise class (which is essentially Klingon Tai Chi) with Deanna Troi and Ves Alkar attending. Mok’bara, in the Klingon Culture (not to nerd out or anything) is a technique similar to meditiation–it is used to both clear the mind and phsyical protection (Mok’bara is the basis of Klingon hand-to-hand combat). Aside from the fact that watching Worf teach a meditation class is seemingly hilarious and contrasts to his more serious Klingon maneurisms, Mok’bara works as a contrast to Alkar’s funeral meditation. Alkar’s funeral meditation highlights the fact that Alkar is an “energy vampire” of sorts. Where Worf meditation works to clear the mind and protect yourself, Alkar’s meditation is works to lower your defenses and allow him to inflict his negative emotions onto you. Being that Troi is an empath, this means that she is more vulnerble to attacks of this nature as well as being more effected by them.

Throughout the episode, we see Deanna Troi changing and acting different due to being inflicted by Alkar’s emotions. She’s more seductive and abrasive where she usually is very calm and empathic. I feel it is important to notice that Alkar’s victims growing old represent their core emotional feelings being sucked out of the body, very much how, in Inside Out, with absence of the Joy and Sadness, Riley is left feeling more frustrated and “not her self”.

This week, we delved into the processing of emotion, watching Disney’s Inside Out and “Man of the People” from Star Trek: The Next Generation. I laughed, cried, and experienced almost every emotion possible along with these characters.

I watched Inside Out first; a movie I’ve seen a few times before, though this is the first time I’m truly appreciating it. It’s so sweet and such a relatable story. We follow the personified emotions of young Riley as she moves across the country, both her and her emotions struggling with the process. While Joy and Sadness have to trek across Riley’s inner mind, wreaking havoc as they do, Riley suffers the consequences and acts out against the people in her life.

Though I believe the writer’s intentions were to depict the changes we experience when growing up, I think this could also be a really brilliant way to depict mental illness. Riley’s emotions act for her, flipping switches to make decisions, which becomes a huge issue when only Anger, Disgust, and Fear are in control. This is akin to mental illness; I imagine depression would be as if Sadness was in control of your actions most of the time, while anger issues would be like if Anger was always in control. As someone with ADHD, I think my emotions are constantly pushing each other out of the way to take the wheel – they’re probably bouncing off the walls in there! I also think that the scene towards the end when Riley makes her first core memory out of two emotions – both Joy and Sadness – is a great depiction of growing up. As a child, your worldview is much more black-and-white, so it makes sense that Riley’s memories would be centered in one emotion. As she discovers the difficulties and nuances of life, she gains more memories that are a just as nuanced.

While nearly all the topics of this week’s lecture could be tied into Inside Out, I found myself connecting the Theory of Emotional Construction to it the most. This states that emotions are not something that happen to you, but are something that you construct from your experience. All of Riley’s memories are experiences tied directly to emotions and they are created simultaneously. One cannot exist without the other; emotion shapes Riley’s experience, while experience also shapes her emotions. I think the way Inside Out depicts Riley’s memories is a really simple and efficient way to communicate this theory.

I then watched “Man of the People” from Star Trek: The Next Generation, and man, have I been absolutely loving the Star Trek episodes we’ve had to watch! I’d never seen the Star Trek T.V. shows before this class, but now I’m going to add it to the weekly rotation of shows I play in the background while I’m doing work or cleaning (along with She-ra and the Princesses of Power, Ghibli movies, and basically every other cartoon available).

This time on the Enterprise, they are carrying Alkar, an ambassador, to mediate peace talks in order to end a civil war. The ship’s counselor, Deanna Troi, began to act strange after spending some time with him; flirting with various men on the ship, wearing scandalous clothing, and becoming angry for no apparent reason. It is only revealed towards the end of the episode that Alkar had found a way to offload his negative emotions onto other people, which helped him become an extremely effective ambassador, and Deanna is going to die because of it.

The logistics of this are a bit more complicated than “Deanna feels Alkar’s negative emotions”, though. Deanna, and the other woman who Alkar did this to, seem to feel their own negative feelings in an extreme way because of Alkar’s. For example, it is shown that the receptacles Alkar takes are all women and have had a lot of romantic tension with him. When Deanna and the woman Alkar first appears with both accuse other women of wanting him and say to stay far away from him, they are expressing an extremely heightened version of their thoughts. This agrees with the Theory of Emotional Construction, as well; while Alkar and Deanna both understand the concept of anger, they will express it in different ways according to their life experiences.

The two films in this unit are my favorites, mainly because of “Inside Out.” I cried while watching. It is a warm and heartbreaking masterpiece. If there is no sadness, where is the meaning of joy?

 

Insider Out

I don’t think “Inside Out” expresses James Lange’s theory. The emotional role is to transmit Riley’s emotions through the organ button of the brain command. The hypothalamus inspired the interior design of this fun brain commander, and the producers didn’t want it to look too sci-fi but wanted it to be a place that looked warm and comfortable, where emotions could make their home. I think this design expresses that emotions, minds, and cognition are one rather than separate. Additionally, Riley feels disgusted is shown when the character Disgust flips those power switches, and Riley’s behavior does the same, so she knocks over the plate. It goes against James’ idea because Riley’s mind (Disgust) understands the situation and then makes Riley do her act. However, James’ point is that Riley would be disgusted for not liking broccoli. So “disgust” wouldn’t be the one who flipped the switch for Riley to Disgust. James believes that the physical sensation is the emotion, not the character of Disgust. Thus, one of the things I love about this movie is that it does an outstanding job of connecting emotions, bodies, and minds, and we can see how each emotional character can provoke Riley’s reactions.

Another link to the lecture is a quote from Lisa Feldman-Barrett, who said emotions are socially constructed. For example, emotional changes in Riley’s parents stem from social constructs, including family and the workplace. When we observe Riley’s upbringing, we realize that the world is not perfect. The film’s turning point happened when Riley’s father moved to San Francisco for work. Although Riley was very uneasy facing the new environment and new classmates, she still faced it positively and optimistically, but then sadness suddenly appeared. Uncontrollable behavior, she will involuntarily touch the memory, even the core memory, which frightened Joy and quickly warned sad not to feel it. It reflects our usual attitude towards sadness – try to avoid it; it’s OK to pretend you’re not painful and try to make yourself happy, even if it’s fake happiness. Barrett’s point is Riley’s sadness in the face of new circumstances and the stimulation of new classmates. Moreover, this film keeps emotionally resonating with audiences because we all had a Bing Bong in childhood. The debilitating and disappearing Bing Bong is a trigger point when we sense an emotion, which arises by categorizing physical stimuli in our cultural context. Emotions do not happen to us but because we perceive them. Therefore, I believe that emotions are part of our cognitive system.

“Man of The People” Star Trek

This episode brings up the concept of empathy again. Alkar revealed to Picard that he could channel his negative emotions onto another person, a “receptacle” that allows him to be clear-headed and level-headed as a negotiator. Knowing that this would lead to accelerated aging and death of the recipient within a few years, Arka did not foresee her rapid symptoms when he chose Troi as his next recipient. So Troi becomes more and more vulnerable until death. It’s incredible to see how these negative emotions Troi was going through caused her to age very, very quickly. But it also shows how emotions, minds, and bodies are linked, as we see the harmful effects of negative emotions on the body. At the same time, the ” receptacle ” role reminds me of the empathy chip in the episode of “Futurama,” where Bender experiences Leela’s emotions. Both Alkar and Bender lack empathy, and thus both lack the ability to understand feelings in a given context. On the other hand, neither Troi nor the chipped Bender can express their emotions.

Ps: Why do we need sadness? She said,”Crying helps me slow down and not obsessive worried of life’s problems.”

In Inside Out, I thought it was interesting that Riley’s brain was depicted as a factory, beginning with popping out core memories of Joy and then expanding the production center to different feelings. Not only that, but, when Riley lost her core memories, the solution was to travel to Minnesota and make new ones. This showed me that though an emotion is something you (and pretty much everyone) can create, how it’s developed is dependent on your environment. She was determined to go back to the source of her happiness: the home where she first experienced joy.

When I re-read the phrase,  “an emotion is something you create”, it sounded weird when I said it out loud because that’s usually a phrase you associate with memories. Memories are created. But all of Riley’s memories are attached to a specific emotion, so are memories just physical representations of our emotions in different settings? Also, something I noticed was, though the emotions seemingly worked together, Riley’s memories had a few set outcomes: a solid yellow (Joy), red (Anger), green(Disgust), or purple color (Fear). Each emotion would take turns as the pilot of the spaceship that was Riley’s mind and saved the memory. 

There were two scenes that stood out to me: the scene where Joy watches a memory of Riley losing a hockey game and the ending, when each emotion contributes to the core memories. After watching the entire memory, Joy realized that Sadness is a necessary emotion because it functions as the precursor to joy. Instead of icing out Sadness, Joy really should’ve been embracing her. Another scene that stood out to me was when Riley’s memories were no longer one solid color. Rather, they were rainbow colored, signifying that her core memories became a mixture of all the emotions, which isn’t necessarily a bad thing. 

 

 

 

 

 

I really enjoyed the Star Trek episode “Man of the People”. While I wouldn’t go about it the way the Ambassador did, I would also like to offload my emotions into a receptacle if given the chance. I like the idea of separating emotions from the body to allow one to think straight so as to achieve a higher purpose. This episode seems to go against the Theory of Constructed Emotion since it separates feelings from the body and supports Plato’s idea of rational thinking. For example, emotions act as a force to deteriorate Troi’s body over time.

 

 

 

 

 

Lust and anger caused her to age quicker than usual- not just in her appearance (grey hair and sagging jowls), but also mentally. Her brain entered a state of psychosis.

 

 

 

 

 

 

Compare her, who’s been transformed into the stereotype of a hysterical woman, to the calm and composed Alkar whose decisions are unaffected by how he’s feeling at the moment. It plays well into the stereotype that men are better at reasoning than women are since they can disconnect from or reconnect to emotions whenever necessary. Troi even confirmed this at the beginning of the episode when she complained that, “Sometimes my body has a problem conforming to my mind’s conditions”. In other words, her mind tells her how to feel, but the body doesn’t always act accordingly.

In this module, we looked at how emotions are a part of our cognitive systems and how emotions are something that we create rather than something that happens to us. It was very interesting to analyze the relationship between the mind and emotions. I definitely believe that emotions are a part of our cognitive system rather than something that is separate from it.

Inside Out

At the beginning of the film, we see how the emotion character’s are a part of Riley’s cognition. When Riley’s father states, “If you don’t eat your dinner, you are not going to get any dessert,” Anger jumps into the picture. Anger gets very angry that Riley won’t be getting dessert for not having ate her dinner, so he causes Riley to act angry and make a mess with her food and begin to cry and shout. This scene relates to the James-Lange Theory of Appraisal from our lecture slides. In the scene from the film, the event that happen is Riley is told she will not be given dessert if she does not eat her dinner. This causes the character Anger to get up from where he is sitting and become angry. The interpretation of the event is that it is unfair that Riley will not get dessert for not eating her dinner. So, the emotion that comes out of Riley is anger, and she begins to knock her plate and food all over the place. I think this scene is an interesting example of how the film portrays how emotions and the cognitive system are linked together and not separate. This example of Anger causing Riley to act the way she did also goes against William James’s theory that sensations are emotions. Riley’s anger is expressed when the character Anger flips those power switches, and Riley acts out. This goes against James’s ideas because Riley’s mind (Anger)  understands the situation and then makes Riley act the way she does. However, James’s opinion would be that Riley would be anger because of the way she acts in regards to being told she won’t get dessert. Therefore, Anger wouldn’t be the one flipping the switch to make Riley angry. James would argue that the bodily sensations would be the emotion rather than Anger the character. The film does a wonderful job of tying emotions, body, and mind together, as the emotion characters are able to incite reactions out of Riley.

“Man of the People” Star Trek: The Next Generation

This episode was another interesting one. We see Deanna Troi detriorate until death. We find out that Alkar was channeling of all his negative emotions to Troi. It is incredible to see how these negative emotions that Troi experiences causes her to age very very rapidly. I think that this is an important example to show how emotions, mind, and body are tied together, as we see the negative effects of negative emotions on the body. Furthermore, once the negative emotions Alkar was placing onto others comes back to him, he also dies.

It is important to note have strong emotions are and the impact they can have on people. After analyzing these films, I think it’s safe to say that it’s impossible to separate emotions from our cognition. You can’t just turn them on and off and decide if you’re going to have them or not. Emotions, mind, and body are all tied together.

I think the two pieces this week were the best ones we’ve ever watched and it is majorly because of “Inside Out”. I think it’s the cutest movie ever. So heart warming, yet heart wrenching at the same time. A masterpiece.

I believe “Inside Out” expressed the James Lange “Appraisal Theory of Emotions“, where Riley’s life was the chain of events that the Emotions could react to. In this sense, the Emotions controlled Riley and these were two separate cognitions. From how I interpreted the movie, Riley’s reaction to her environment was partly due to her own cognition, along with the Emotions. The movie makes them out to have a separate consciousness from Riley, but all serving the purpose of helping Riley respond in the best way she knows how or they think is best for her. Each Emotion controls an aspect of Riley and in turn makes up her Islands of Personality. While we learned concepts of emotion and cognition being intertwined, “Inside Out” shows emotions that are put upon us. For example, when Sadness and Joy are stranded from Headquarters, Riley seems to turn numb, unable to feel happiness or sadness. While Anger, Fear, and Disgust are still at Headquarters she is unable to feel 2/5 of her emotions that make up her personality. She ends up running away, but as soon as Sadness fixes her core memories and integrates sadness into them, Riley is able to experience joy again.  Sadness and Joy are the core Emotions that help her personalities exist, or more so to appreciate happiness while experiencing sadness. Without them, Riley is unable to achieve happiness or sadness without them. This shows that the Emotions control part of her cognition and is not integrated. The Emotions control her emotions, thus her emotions out of her command.

Crossing over to “Man of the People”, I really enjoyed this episode. It was quite interesting and the plot twist was INSANE. I feel like the concept of cognition and emotion being separated is once again seen. While Counselor Troi is an empath and takes in other people’s emotions, once Alkar has Troi go through with the funeral customs, her emotions are not her own. To be exact, the complex emotions she feels are her own, but an outside force is causing her to experience them. While she is usually calm headed and docile, Troi experiences very negative and forward emotions that cause her to fiend over Alkar. She can do so much better to be honest. In the scene while she is exercising in front of the mirror, her body seems to be taken control by something and she seems to touch herself as if she is experiencing it for the first time. It seems as though an outsider is experiencing her own body, thoughts, and emotions. This expresses a distinct distance from her cognition and emotions, and she becomes almost lifeless or possessed just as Riley did when she became disconnected from Sadness and Joy.

Emotions function as a guide for us to survive and thrive. They focus on our attention and motivate us to take a specific course of action. Emotions are also contagious because our feelings can spread between people, like a virus. We tend to pick up on each other’s emotional states whether we realize it or not.

In the movie Inside Out, Riley has different emotions inside of her and we get to see how they all work and think. We have Joy, Sadness, Fear, Disgust and Anger. We get to see how each emotion functions and how they effect Riley. When Joy and Sadness are gone we see Riley struggling as she can only experience anger, fear and disgust. She struggles with her identity and expressing her emotions. In the scene where her mom talks about hockey, her favorite sport, Riley can only react with disgust when she should’ve reacted with Joy. When Anger takes over the control panel, the father also begins to get upset over her attitude, showing how emotions can be contagious. In the end when sadness and joy work together, Riley seems happier and more comfortable again because she is able to express the proper feelings. We need every single emotion in order to survive. If I was only controlled by anger, I’m pretty sure my road rage would be a lot worse haha

In Man of the People, Troi go through an emotion “curse”. We see Troi get very sexual by making advances to people on the ship, and even signs of rapid aging. Troi even expresses a bunch of anger when she discovers Alkar working with Liva and even tries to attack him with a knife. In the slides from this week, we learned that an instance of emotion arises by categorizing our culturally  contextualized body stimuli. I think this applies to Troi because her anger for example caused her to attack Alkar with a knife, an out of the ordinary action for her character. She was unable to control her body and emotions. I feel like this episode was a little similar to the Futurama episode we watched when Bender was experiencing Leela’s emotions. Bender couldn’t really control his emotions in a way that Troi couldn’t truly express hers.

SIDE NOTE: did anyone else cry when Bing Bong died? I was crying so hard; I haven’t watched this movie in a while and I forgot how sad his death was. I tend to cry in every movie lol

A few days ago, I started replaying one of my favorite video games, Omori. The game is an emotional roller coaster ( ha ha) and when I first played it, I had to take a step back every so often to recollect myself. It’s a masterpiece of a game and I feel that it connects a bit to this unit because in this game, emotions are an important gameplay mechanic when it comes to battles. Your emotional changes in battle will increase or decrease your stats and change the tides of battle. It’s really unique and fun ! 

The reason I bring this up is because upon starting the game, I thought to myself “I’ve already played this game ! This can’t possibly hurt me.” And yet I started to weep the moment i saw my favorite character. Which is exactly what happened to me when I watched Inside Out. I forgot that this movie about emotions could make me so emotional. While I have so much I can say about this movie, I want to focus on the portrayal of the “emotions” in other characters head. While Riley seems to experience joy, sadness, fear, disgust, and anger in a way that may be seen as “standard,” the same can’t be said about many of the other characters. An example would be the bus driver at the end of the movie, whos emotions all geared a physical resemblance to “anger” and seemed to experience the same thoughts and reactions to outside stimuli. This would suggest that he may come off as a bit aggressive, despite experiencing the same spread of emotions that Riley does.

Another thing I noticed was how Joy seemed to be the strongest emotion in Riley’s head, the leader the others looked to. However her mother’s emotions seemed to look to Sadness for guidance. Additionally, her Sadness seemed to be more composed and calm, which suggests that she experiences sadness in a less outward way. This may be a sign of maturity.

I thought a lot about the past two units while watching Inside Out as well. As I began to cry for Bing Bong, I thought about what exactly was making me cry. The theory that crying is the reason you’re sad or vice versa wasn’t something I thought about until I was actively crying and feeling sad and I could not remember what came first. I’m a really sensitive person, so I tend to cry a lot. But I also cry tears of joy ! If an emotional response such as crying triggers sadness, then what do tears of joy mean ? Additionally, at the end of the movie I began to cry alongside Riley. Maybe I was just super tired, but I remembered our unit on empathy at this point in the movie. I was sad, sure, but I think I was sad with Riley rather than for her. I was experiencing her emotions parallel to her which is something that the characters in the film seem to do as well !

The Star Trek episode reminded me of the part in Inside Out where Riley’s control panel goes dark and becomes unusable. She becomes unable to experience her emotions, much like Deanna seems to when she loses her empathy. What strikes me as interesting is that empathy is being used as almost a catch all for “understanding feelings” where its more about the feelings of others.

Inside Out

I love the movie Inside Out, I’m glad it was featured this week as a good excuse to watch it again. 

The movie starts out with the base emotion of Joy for baby Riley when sadness intrudes on them. This movie vaguely incorporates the seven basic emotions but excludes contempt and surprise and they use the term “Joy” or rather, character, in place of happiness. A big focus of this film is also memory and how “core memories” make up Riley’s personality. Back to emotions though, Joy and Sadness are removed from headquarters when they’re sucked out of the tube that collects the days memories, along with all of her core memories. 

Sadness can’t help but touch memories and turn them from happy to sad. This shows that Riley has a little bit of control over the influence of the emotions versus the emotions controlling her entirely. 

Another connection to the lecture is to the quote by Lisa Feldman Barrett, she said emotions are socially constructed. When you look into the mind of Riley’s father, his primary emotion is Anger which is tied to the social construct of men being more angry, aggressive, quick tempered. When viewing the Riley’s mothers emotions, her primary emotion is Sadness, which if you have taken a sociology course on relationships, you’ll learn that those two types of families lack communication (which we even see) and Riley’s mom is probably continuously let down. I think becoming an adult in general often leads to happiness taking a back seat and an emotion like sadness or anger taking the forefront. You could also say that the leader emotion is the general mood. 

While watching the film, I also tried to analyze which theory one could say Riley falls into in terms of arousal and appraisal and I’d have to say she falls into Arnold’s Appraisal Theory, event to appraisal to emotion to action. During the scene where Riley is video chatting with her friend, the emotions were observing what was happening and then choosing how to react which was by saying “I have to go” and slamming the laptop closed.

“Man of The People” Star Trek

In the Star Trek episode this week, the concept of an empath was brought up again. Deanna is an empath, when talking to Alkar who also appears to be an empath, he says he can only sense the emotions of his own species. When Alkar’s mother suddenly dies, he requests that Deanna do a ceremony with him since she’s the only other empath there but something seems to happen when the crystals they’re chanting with click together. She appears to lose her empathy, which is clearly seen when she’s talking with one of the crew members. It’s like the ceremony took away her ability to feel, or was his mother’s feelings transplanted to her? We finally find out that Alkar transplanted his dark thoughts  into his “mother” and then did it to Deanna. Fast forward, when reviving Deanna, all of the dark thoughts, the emotions he can’t handle and doesn’t want to deal with, were transplanted back to Alkar, killing him. He completely lacked the empathy he claimed to have, even the title of the episodes shows how he contradicts himself. 

I think this is going to piss some people off…but I do have a confession to make:

I did not like Inside Out.

Look, I’m sorry (kind of) that I didn’t find it as sad as people made it out to be. Maybe my Sadness is on her day off, or something. It’s not even about the emotional part of the movie. I was never a fan of these animated films from Pixar because their plots are pretty straightforward, and their messages are very “in your face”, if you will. In my opinion, the movie is not for me. That doesn’t make it an objectively bad movie.

Okay, with my self-crucifixion out of the way, let’s talk about emotions.

Inside Out portrays emotions as these independent beings that trigger how you feel in reaction to what they’re seeing, not what the individual is seeing. There are five core emotions: Anger, Fear, Disgust, Sadness, Joy.

For the record, my favorite character of the lot is Sadness (ironic, isn’t it?). I love how by the end Sadness was not seen as this emotion that needs to be pushed away; it’s an important emotion that acts as a signal to other people near you. Though I wasn’t a big fan of the movie, I enjoyed how this was portrayed.

Anyhow, this is an analysis, so on we go. I want to talk about the James-Lange Theory of Appraisal. It’s very present in the scene where Riley first sees the inside of her new house (situation). She notices how run-down it is, how there are dead things in corners, how it’s nothing like her old house (arousal). Riley has an interpretation (that this is much worse than her old house, which also had a better neighboring area), and that’s where the emotions (the characters) start fiddling with the terminal. Joy is very adamant about keeping positive, meanwhile every other emotion is complaining.

I want to say this scene reminded me how I was as a kid, moving from place to place. It was always very bad on the first day, a lot of skepticism involved in it, sadness, etc. And it the back of my head, my own Joy was somewhere in there, trying to reassure me that things will be alright.

Of course, this implies that I was, and still am not, in control of my emotions. If they are a bunch of tiny humanoid creatures running around in my mind, it implies that I have no autonomy over what happens in there. Since we see that Riley is influenced a lot when Joy and Sadness are away from the terminal.

On the other hand, the Star Trek episode sees emotions as things which are pushed onto the other person. Slightly reminiscent of the Futurama Episode with Bender’s Empathy Chip, the episode involves a man named Alkar force his negative emotions onto Deanna Troi, justifying this action by saying he is able to work better without his negative emotions interfering.

He views emotion and thought as two separate entities, with the former being the most troublesome. This is the conventional way of seeing emotions. And man, is Alkar really blunt about it.

He straight up sees the bodies of other people are storage units for his negativity. It’s very ironic how he can’t see how bad these emotions are to other people who also play a role in the situation affecting the planet he is trying to “save”.

In any case…sorry for the lack of Quality Jokes™ today. It’s almost 2 am here in Greece, and it’s really hard to focus ;-;

I’ll be back soon, though. Wish me a safe flight…

Like please…I hate turbulence…

Warmly,

Guga Khidasheli