Monthly Archives: October 2025

Student Spotlight: Kamala Covert

Kamala Covert

Kamala is in her final year in the English Honors Program, currently writing her thesis on Klara and the Sun’s exploration of spirituality through the lens of cultural ecology. 

What made you pursue English as a major?

I grew up writing poetry with my mom and reading books every night. It was just kind of always a part of my life. Pursuing it academically came in my second year of college. I took a British literature course where we delved into poetry that was specifically related to the environment and the relationship people have with God and nature. I saw myself being able to pursue that for a long time. It was the final push I needed to get into these studies. 

What’s the most fulfilling part of your major?

The most fulfilling part of my major really is the community. There are so many avenues you can take when you’re an English major, so many different disciplines, even, with media, with literature, with poetry. I like how diverse it is. Everyone has different interests. When you take courses, even if they all range, they come back to this center, where it’s simply learning from one another. I find that really necessary to have. 

How did you hear about the English Honors Program? Why did you enroll in it?

I first heard about the English Honors Program before I enrolled or even applied to Stony Brook. I am a transfer from Suffolk County Community College, so when I was looking to transfer to get my Bachelor’s degree, I saw the English Honors Program. At the time, I thought you had to be a sophomore to enroll, so I didn’t expect to be nominated for the program. I’m very glad that they changed their enrollment standard, and I was able to come into the program. It’s been a really rewarding experience. The community, again, is wonderful. I have formed some really close relationships with a lot of other students in the program. It’s nice to be able to go through this process with other people. Being in the research practicum has been a whole new experience in research and writing that I haven’t had before. 

Tell me about your Original Thesis; What led you to this topic? Who’s mentoring you?

My thesis surrounds the novel Klara and the Sun by Kazuo Ishiguro. I originally read the novel for my EGL 301 class with Dr. Andrew Fletcher. We were discussing the process of what creates a human, what makes a human a human. Can you make a human? What exactly is human nature, and why? One of the biggest parts that stood out to me was the relationship Klara forms with the environment and the sun, the divine energy that surrounds this relationship of sacrifice and bonds, and love. My topic is really exploring how one entity, human or otherwise, forms a relationship with the environment. How does that inform their relationship to divinity, to spirituality? Why is that important? My mentor is going to be Dr. Justin Johnston. who, you know, loves Klara and the Sun as much as I do, and I am excited for the conversations that we’re going to have surrounding the novel.

How has the English Honors Program helped you? Do you have a favorite memory or experience? 

The English Honors Program has definitely made me more capable of understanding theories. Especially when I took EGL 492 with Dr. Benedict Robinson. The whole course surrounded all of these different theorists coming together to talk in this broader scope of what was happening in the fields surrounding fictionality. What is fiction, and where is fiction? Why do we have fiction? I think being able to critically look at all of these questions through a lens where so many people have such rich areas of discussion opened up my mind and allowed me to think about things in a different way.

Are you involved in any extracurriculars/jobs/internships at SBU? 

Currently, I am a writing TA for WRT 102 with Dr. Sara Santos, which is the larger honors section, so it’s been an extremely rewarding experience to be able to take part in helping a large number of students learn how to write or what writing is. It goes hand in hand with my job as a writing tutor at the Writing Center on campus, which I absolutely love. Talking to people about what they’re working on and connecting with people that I normally wouldn’t connect with, since all disciplines and students come to the writing center, is definitely my favorite part.

What advice would you give to current English majors at SBU who are interested in the Honors Program?

Go for it. I’m actually extending my time at Stony Brook to write the thesis, because I think the thesis is a great opportunity.  Having that experience writing, researching, and culminating an original idea and seeing it come to fruition has already been such a good experience. You’re essentially developing something of your own making. Again, the community that you form with the other students who are also going through this very unique track is so rewarding. I can’t think of any reason to say why you shouldn’t do it. Along the way, you’ll become close with some amazing faculty members and create close mentorships.  If you plan to continue on to graduate school or start working right away, it’s a wonderful project to have accomplished. It could only help you.

An Evening with Ross Barkan, Author, Journalist, and SBU Alumnus

On Thursday, October 23, the Poetry Center filled with students and faculty alike to spend an evening with Ross Barkan, a renowned author, journalist, political commentator, and 2011 Stony Brook graduate. From five to six, Barkan humorously spoke of his time at Stony Brook and his post-graduate career. The night concluded with a Q&A session, where students had the opportunity to gain insight on how their future professions may align with those of Barkan’s. Here’s a rundown: 

Barkan grew up in Brooklyn and “was never one to go to sleepaway camp.” Attending a Long Island college exposed Barkan to a new landscape. This experience is one Barkan regards as personally transformative as it exposed him to a new everyday culture, a new routine offering new experiences. Many of his experiences are sure to have overlapped with many of ours. For instance, Barkan majored in English Education, initially hoping to be a teacher. He dormed in Tabler, Roosevelt, and West apartments. He wrote a book that never saw the light of day. He took journalism classes, but not enough to fulfill the major. He wrote for the SBU Press. Perhaps most importantly, Barkan grew into himself at SBU. 

After graduating SBU, Barkan went on to earn his Master’s from NYU for teaching. Confronted with sparse teaching opportunities and an ever-growing love for writing, Barkan went into journalism, working as a staff reporter at the Queens Tribune. He covered New York City and national politics for the New York Observer from 2013-2016, but resigned over moral dilemmas. Now a freelance columnist, Barkan has contributed to The Washington Post, The New Yorker, The New York Times, The Atlantic, Esquire, GQ, and many other notable publications. Since 2023, he has been a routine reporter for New York Magazine’s Intelligencer, a column primarily dedicated to political news.  

In 2018, Barkan published his first book, Demolition Night, a dystopian novel set in an America where citizens are controlled by megacorporations. He has since put out five more novels and has another, Colossus, set to come out next year. Speaking of his experience with publications, Barkan shared “I’ve worked with very tiny publishers, I’ve worked with very large publishers, I’ve worked with what I would call medium publishers,” and he’s happy to say he has had positive experiences with all of them. 

For the past five years, Barkan has maintained a Substack. Today, that Substack has 43k+ subscribers. He refers to the work on his Substack as “his baby.” He is the Editor-in-Chief of The Metropolitan Review, a Substack-based literary magazine, and the founder of Political Currents, a Substack-based weekly newsletter covering politics. He encourages students to start their own Substacks as soon as possible. 

At only 36 years old, Barkan has achieved a lot. His talk was incredibly insightful, acting as a true guiding force for students who hope to one day enjoy a career path similar to his own. However, despite what professional occupation one might wish to pursue, this piece of Barkan’s advice is universal: “If you don’t care about it, don’t do it.” We are incredibly appreciative of Barkan’s talk, and incredibly proud of his accomplishments. If he ever graces us with his presence again, please make it a point to come out and listen. He has a lot to say, a lot worth hearing. 

Student Spotlight: Erin Young

Erin Young is an incredibly enthusiastic English major who is currently finishing up her last semester at Stony Brook. Although she is set to earn her Bachelor’s in only a few months, her passionate attitude towards her area of study has not dwindled. Rather, her love for language arts has only grown stronger. Below, she shares the details of her devotion to literature. 

What’s your favorite area of study/topic within your major, and why? 

I would have to say postcolonial literature or speculative fiction! There’s something about fantasy worlds mingled with realism that is so beautiful to me. Reading materials like this often help me be more imaginative when viewing the world around me. 

What do you wish to do with your degree, and why? 

I would love to teach or work in publishing, I find both to be very rewarding! Unfortunately, I came to Stony Brook too late to complete the teacher prep program, but I’ve been considering looking into alternative ways to eventually achieve a similar outcome, such as pursuing a Master’s in Education! 

What made you pursue English as a major? What’s the most fulfilling part of your major?  

Well, I’ve always loved English as a teenager, and I love to read and critically analyze literature! I would say that I love to work with great and passionate people, while doing something I genuinely love. Also, while I’ve heard many people in other majors have lost the love they have for their area of study, I would say that I’ve never experienced that! 

What has been your favorite class that you have taken so far? 

I would have to say Professor Eberle’s class on 20th Century Literature, which is EGL 224. Most of what I know about postcolonial literature has been learned from that class! I always felt so engaged in discussion, even when the texts were occasionally dry. I think it’s incredibly important to look at how colonialism has impacted (and still impacts) so many people across the globe, and this class does a great job with exploring how harmful and damaging it has been and is. 

What’s been the most interesting thing you have learned either from any of your classes or your time as an English major? 

My EGL classes have taught me a lot about both personal histories and world histories. I always love when other students and professors share their individual experiences with the class, whether they involve culture, interests, music, etc.. I love to read about the mingling of cultures and people, and I would say that this major really helps highlight those lessons! As for what I’ve learned the most, I would say thorough and close reading techniques, especially in regards to critical thinking! I learned how to analyze text deeply and thoughtfully, and how impactful close reading can be. 

What advice would you give to students who are interested in becoming an English major? 

Remember: the faculty will support you! Every professor in this department wants the best for their students, and they’ll always be incredibly respectful and inclusive! While the courses might require a lot of reading, try to extract as much enjoyment from them as possible. I know it can seem daunting, but you need to take a deep breath and realize that all you need to do is take it step by step, and passage by passage. Make sure you take regular breaks from your screens, and don’t forget that you can always step away from an essay to get a better approach! Good luck, you’ll do great! 

PhD Candidate Spotlight: Brian Eberle

Brian EberleBrian is a PhD candidate whose research focuses on modernist literature. His passion for modernism as a literary movement drives both his dissertation research and teaching, where he brings precision and engagement to the study of 20th century texts. 

 

What are your specializations and topics of interest as well as what you’re currently working on? 

My specialization is 20th century Anglophone literature. I focus specifically on modernist novels. I’m really interested in geographical space and place, historical memory in that sort of fiction. The novel just happens to be the genre, the mode that I’ve focused on the most. I’m also starting to work more with the bildungsroman and coming of age. I realized that a lot of my dissertation was focusing on texts with younger characters, so that’s helping it come together. What I’m working on right now is a chapter of my dissertation that looks at Elizabeth Bowen, who was a late modernist and a huge short story writer and novelist. I’m looking at one of her texts, The Death of the Heart. My dissertation focuses specifically on how these different modernists represented the city and interrogated it through youth. 

What led you to go for doctoral studies? Tell us about your previous academic background.

The desire to go for my doctorate actually came very early in my academic background. I was in high school and planning to be an English major when someone was like, “What are you gonna do? Be a doctor of literature?” And I was like, okay, I think I want to do that. I did undergrad with that in mind, I went through my master’s program, and then in 2013, I started teaching. I taught literature and composition courses in California community colleges until I moved to New York in 2017, and then I started the doctoral program at Stony Brook in 2018. My interests also have not really shifted. A lot of people’s periods that they focus on shift, mine has pretty much stayed the same. It’s been modernism since I was a sophomore in college. But the way that I look at it, my lens has shifted a lot since then, which is good, right? 

Were there any mentors, classes, or experiences that shaped your path into this field?

I think everyone has that high school English teacher. I had Mrs. Casper in 12th grade. In college, I had a lot of really great instructors, specifically the instructor who first introduced me to modernism as a literary movement. And then here, I’ve gotten something from every single professor I’ve taken classes from.. I think the courses that I took the most from were the people who are now on my committee. Celia Marshik’s modernism class, Mike Rubinstein’s Irish Modernism class, and E.K. Tan’s class on postcolonial literature. Those were really some of the more specific standouts that, again, helped guide my attention to what I wanted to be working on now and gave me ideas, things I hadn’t thought about in relation to my own work, especially E.K.’s class. 

Has teaching influenced how you think about your own research?

Teaching in general requires the need to consider how you’re coming across to other people. How were you thinking about the things you’re interested in to convey them to other people, right? 
It’s not enough to just be passionate about literature or think that good writing, whatever that looks like, is important. I have to be able to think about what I’m asking students to do and how best to articulate that for them. With modernism specifically, it’s considered fairly inaccessible. It’s this experimental, often avant-garde type of writing that doesn’t always lend itself to being read by first or second year students. That’s when I started reading it, that’s when I fell in love with it. So I absolutely don’t think that’s the case, but I understand that. Thinking about how to articulate my ideas about why something is significant for students has really helped me.

What’s one piece of advice you often share with undergrads who are curious about graduate school?

The same piece of advice that I got from my undergrad faculty who were advising me is to think about the length of time you’re willing to invest, think about how important it is to you, and where you’re living is going to be. Those are all things that don’t seem stable these days in terms of jobs, but are really important to know if you’re going to make this commitment. I think that if you really want to do this, you’re going to do it anyway. That’s what I did. 
But go into it with your eyes open about the challenges. 

The other thing is, have an idea of what you want to do and who you want to work with. Be open to exploring when it comes to classes. That was a piece of advice that my high school English AP teacher gave me just about college in general, to explore as much as you can. Literature, and scholarship is big and vast and varied, and that’s what makes it exciting. Balance between knowing what you want to do or having a sense of what you’re passionate about, but be open to doing new things as far as your potential research interests. That is one of the really fun things about this type of work that we are doing.

Provost’s Spotlight Talks: Why Poetry with Rowan Ricardo Phillips

Rowan Ricardo Phillips, Presidential Professor and Distinguished Professor of English

Why Poetry? A question posed to probably all poets at least once before. Why go down this path, why write poetry? Dr. Rowan Ricardo Phillips, Presidential Professor and Distinguished Professor of English at Stony Brook University in conversation with Dr. Carl Lejuez, the Provost and Executive Vice President at Stony Brook took on that very question. Dr. Rowan Ricardo Phillips, the author of seven books of poetry and prose, featured his thoughts and perspectives on the poetry industry, on our social climate, and its effects on the modern-day reader.

Phillips began the presentation by reading two poems We Real Cool by Gwendolyn Brooks and Parable of the Palace by Jorge Luis Borges; then he shared his thoughts on the meaning of both. For the first poem, Phillips illustrates the poem’s depiction of a group of young pool players who disregard their responsibilities to look cool and to fit in with the other guys, to then later meet an early death. Phillips explained how spending too much time chasing the attention of others leads to a meaningless existence; if we were to give in to the short-term pressures of those around us, we would become blinded to the potential, long-term responsibilities and outcomes. Nevertheless, the second poem touches upon themes of the incapability of humans to comprehend ultimate truths and the limitations of language and perception. The poem recounts the narrator’s experience of being shown the many halls and grand structures of a beautiful palace that is beyond description and comprehension because of how intricately marvelous the palace was built. 

Phillips highlighted the similarities within the poems and their relation to social perceptions and expectations of poetry in our current climate. To the modern-day reader who may dismiss poetry as an old art that is no longer relevant, Phillips assured us that, no matter how overlooked or unrecognized poetry is in today’s society, poetry will never die. He shared his thoughts on why poetry may be more important, now more than ever, as poetry is a way in which the incomprehensible can become comprehensible. In a social climate that is erratic and unpredictable, it is easy to get caught in the loop of things and then become lost. Poetry may be the perfect outlet for expression and a way to explain the unexplainable current climate. So, Phillips said to those who think otherwise, and to those who believe poetry to be a lost art form that’s no longer appreciated, to think again, as it just might be the thing that we need most. 

After the lecture, Dr. Lejuez asked a variety of questions about Phillip’s inspiration for his poem, coming from the students he teaches, and why teaching at Stony Brook is important to him. Phillips responded by expressing his love for teaching and his particular connection with his students and colleagues, which makes working at Stony Brook worth it. He is later asked about his origins with poetry and what made him pursue this life. Phillips mentioned his mother, on how she would read and recite Shakespeare often throughout the house. This seemed to stick with Phillips as he garnered an appreciation for poetry and literature later on in his young adult years. He does, however, attribute his inspiration to writing poetry to the many people he has met throughout his life; he felt the only way to express his experiences with these people was through poetry. 

As for my personal thoughts on the presentation, I thought it was insightful and well put together. I was impressed by Dr. Phillips’ way of expressing the poems and his interpretations of them. A sheet of paper with the poems was handed out to the audience members, so I had a copy for myself, which I read and interpreted alone. However, I was awed by the fact that he was able to read the same poem as I, yet he had a much broader and intuitive interpretation, which made me realize aspects of the poem that I did not reach upon my own reading. The way in which he had demonstrated these poems connected to our current lives, and how expansive his perspectives were, made me appreciate the nuances that poetry can truly offer. I enjoyed and found a lot of respect in Phillips’ outlook on life, his experiences, and how he balances teaching, yet is still pursuing his passion for writing poetry, which made me look towards my future for myself and my English degree. I became inspired to not only continue writing, but also to read more literature and expose myself to poetry, which I’ve read little of. “Why Poetry” gave me a greater appreciation and understanding of poetry, myself, and life.