ARS 491, ARS 472 / ARS 520
Advanced Intaglio and Relief/ Advanced Lithography/ Graduate Printmaking – Fall 2024

The Experimental Printmaking Exhibition, “Sequencing”, features the work of Undergraduate and MFA students who have developed unique projects working in a variety of printmaking techniques. Their projects focused on creating a cohesive body of work in the form of a triptych or series of prints. These works demonstrate the transformation or evolution of an image or idea, whose development is approached on formal, technical, and conceptual levels.
Students have combined and cross-pollinated media, working with technical freedom and experimental possibilities to create mature and complex projects. Techniques included in the projects include Lithography, Intaglio, Woodblock and Linoleum Relief Printmaking, Collagraph, Monotype, and Collage.

Lorena Salcedo-Watson
Lecturer, Professor of Practice in Printmaking and Drawing

Fall 2024 Exhibition

The exhibition, “Sequencing” is a group printmaking exhibition that focuses on states of being. All things are constantly changing. Each artist captures different phases and states of being within their work. The artists depict meaningful subject matter that they are personally engaged with. These works are developed in multiple phases and states of evolution, where different things occur in sequence. The image may evolve, continue, grow, shrink, subtract, or reveal new information as the work progresses. The beauty of printmaking introduces the factor of multiplicity, transformation, and experimentation.