SUNRISE  @ 6:35  AM OUTSIDE OF THE CHARLES WANG CENTER AND ARTS BUILDING. FACING THE PARKING LOT AND THE ADMINISTRATION BUILDING.

SUNRISE @  11:39 AM   OUTSIDE OF THE CHARLES WANG CENTER AND ARTS BUILDING. FACING THE PARKING LOT AND THE ADMINISTRATION BUILDING.

 

SUNSET AT 5 PM OUTSIDE  OF THE  CHARLES WANG CENTER  AND THE STALLER  CENTER FOR THE ARTS. FACING THE PARKING LOT AND  THE ADMINISTRATION BUILDING.

SUNRISE @ 6:05 PM OUTSIDE OF THE CHARLES WANG CENTER AND ARTS BUILDING. FACING THE PARKING LOT AND THE ADMINISTRATION BUILDING.

 

SUNRISE 6:44 PM OUTSIDE OF THE CHARLES WANG CENTER AND ARTS BUILDING. FACING THE PARKING LOT AND THE ADMINISTRATION BUILDING.

SUNRISE @  7:02 PM OUTSIDE OF THE CHARLES WANG CENTER AND ARTS BUILDING. FACING THE PARKING LOT AND THE ADMINISTRATION BUILDING.

 

 

                

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FIGURE 7

  

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FIGURE 10

Photographing these kinds of smaller scenes feels more meditative than photographing landscapes, as the process often includes slowing down, seeking out details, and taking time to craft photographs of sometimes tiny subjects. Another primary benefit of seeking out these kinds of subjects is their prevalence. Plants like those featured in this post can be found in almost any landscape or garden, which means it can be easy to find compelling subjects close to home. And, since many photographers pass by these kinds of scenes without a second thought, you have ample opportunity to make unique, creative photographs.

KARL BLOSSFELDT:

• HE WAS BORN JUNE 13TH 1865 IN SCHIELO, GERMANY.
• HE WAS A PHOTOGRAPHER, SCULPTOR, TEACHER AND ARTIST.
• HE IS BEST KNOWN FOR HIS CLOSE-UP PHOTOGRAPHS OF PLANTS AND LIVING THINGS.
• HE WAS INSPIRED BY NATURE AND THE WAYS IN WHICH PLANTS GROW.

KARL BLOSSFELDT SIGNIFICANT ROLE:

• HE MADE MANY OF HIS PHOTOGRAPHS WITH A HOME-MADE   CAMERA THAT COULD MAGNIFY THE SUBJECT UPTO SIZE.
• THROUGH HIS HOME-MADE CAMERA HE WAS ABLE TO REVEAL DETAILS WITHIN A PLANT NATURAL STRUCTURE
• HE ESTABLISHED AN ARCHIVE FOR HIS PHOTOGRAPH, DURING THE TIME HE WAS APPOINTED FOR A TEACHING POST AT THE INSTITUTE OF ROYAL ARTS MUSEUM FROM 1898-1930
• HIS WORK WAS MAINLY USED AS A TEACHING TOOL, WHICH LATER ON WAS BROUGHT TO PUBLIC IN 1928. IN WHICH HIS FIRST PUBLICATION ‘’ unformen der kunst’’ which means Arts forms in nature.