What I discovered in Portraiture

Being able to capture an individual’s personality and self in a photograph is a surprisingly difficult task. In order to quickly snap a picture of a stranger, the photographer has to be comfortable enough in their ability to capture the photo correctly. In regards to location of taking the portrait, I found myself most comfortable in my home. Initially, I was attempting to find different places that best reflected myself background/location-wise. By observing the photographs I had taken while I was in these places, I was able to decide that they still did not visually represent me. I figured then, why mess with something that isn’t broken? I went back to the typical style of portraiture that I had known, threw a white sheet up in my room and proceeded. I used a tripod and mostly natural light for my composition. I’m not sure if it was my dance background, with headshots and group photos, that made the backdrop a more comforting aesthetic for me. My family was able to pose for me, however, getting my mother to be comfortable in front of a lens was a challenge in itself. I realized that a woman who was older, needed her favored features to be highlighted. So I just asked and went from there. During a portrait photoshoot, I believe communication is the key to getting the photograph you want. Being someone who has had minimal knowledge on photography and utilizing a camera until this class, I thoroughly enjoyed this project.

Conor & Dio – A Color Portraiture

Conor

When I initially interviewed Conor, I asked him what his favorite color was and he responded with “yellow.” The more we asked questions, the more I gathered that he liked heavily contrasted pictures with brighter hues, hence the bright fire against the darkness of the night background.

Dio

I really enjoyed the mystery aesthetic with this picture. Initially it was a brighter orange color due to the light, and it is actually a picture of my pool with fallen leaves in it. With the mysterious look to it, the black and white, and the transparency of the water, I think it captures the knowledge I gained about Dio.

Camera Study in the Greenhouse

Overexposure: f/3.8 1/250s ISO 100
Incorrect White Balance: f/5.6 1/800s ISO 3200
Stopping (Fast Shutter): f/5.6 1/1000s ISO 3200
Deep Depth (Narrow Aperture): f/25 1/200s ISO 3200
Incorrect White Balance: f/5 1/200s ISO 720
Blur (Slow Shutter): f/6.3 1/200s ISO 640
Underexposure: f/3.5 1/320s ISO 640
Shallow Depth (Wide Aperture): f/3.5 1/320s ISO 360
Highest ISO: f/5 1/800s ISO 32000
Lowest ISO: f/5.6 1/125s ISO 110
Correct White Balance: f/5.6 1/160s ISO 450
Correct Exposure: f/5.6 1/400s ISO 560