Project III

Portraiture

A glimpse of one’s character is emphasized in portraiture. Project 3, Portraiture, aims to show how close and intimate portraiture can get based on the relationship between the subject and the photographer. Strangers are depicted far away, showing their entire figure, purely as the humans that they are. Close ones are depicted from waist up, showing their interests and who they are as people. I am depicted closer than normal, as I am a reflection of what I see in the camera.

Cohesive Series, “Various Portraits”

Portraits of Someone I Do Not Know
“A Student Going To Class”     ISO 100, f/5.6, 1/800s
“A Man Leaving Work”      ISO 400 – f/16 – 1/320s
Portraits of Someone I Do Know
“A Woman Carrying Groceries”     ISO 1600 – f/5.6 – 1/60s
“A Boy Going On a Bike Ride”      ISO 1600 – f/4 – 1/60s
“A Woman Crocheting”       ISO 1600 – f/5.6 – 1/100s
Self-Portraits
“A Girl in Her Room: Pt. 1”       ISO 800 – f/16 – 0.3s
“A Girl in Her Room: Pt. 2”       ISO 800 – f/16 – 0.3s
“A Girl in Her Room: Pt. 3”       ISO 800 – f/16 – 0.3s
Color Portraits
“Fizah by Martyna: Winter Pinks”       ISO 3200 – f/14 – 1/80s

“I like blacks and whites, beige….a pink aura…aesthetic, pleasing to the eye, wintery….”

“Theda by Martyna: Nature Elements”      ISO 1600 – f/5.6 – 1/250s

“I like greens, nature elements, vibrancy…being lost in nature…”

 

Inspiration: Vivian Maier

Vivianne Maier’s photographs portray scenes of life in their truest forms. Her focus on the aesthetic of street photography merging with portraiture showcases humans interacting in their different environments. Maier’s photographs depict a sense of familiarity as they feel like snapshots taken with the human eye.

Vivianne Maier, January 31, 1963. Hull House, Chicago, IL.
Vivianne Maier, October 31, 1954. New York, NY.