Post for Module 6: Cyberfeminism and Social Justice

Blog Post for Module 6: Cyberfeminism and Social Justice

         I find it pretty profound to be considering the implications of cyberfeminism as we are in a heated election season here in the U.S., culminating on Election Day: Tuesday, November 4. And as we’ve discussed in our course recently, as it relates to meme culture, the Internet has a significant effect on any election—I would argue worldwide. I’ve felt that heated discourse more recently because I currently live in northwest New Jersey, and there is a fierce gubernatorial campaign going on here. Similarly, in Virginia, there is also a gubernatorial race happening between Democrat Abigail Spanberger and her Republican opponent Winsome Earle-Sears. However, sadly, what seems to be at the center of the campaign in Virginia is trans rights. Winsome Earle-Sears has been running much of her campaign on the subject, spreading dangerous, hateful rhetoric. Here is a recent AP article about the subject. Furthermore, trans rights, in addition to the exclusion of race as a consideration, are at the forefront of questions surrounding cyberfeminism.

It is my understanding that cyberfeminism as a concept attempts to envision the Internet as a space separate from the patriarchy we suffer under in the “real world.” However, as Trevor Scott Milford and Izabella Scott examine in their respective pieces, cyberfeminism has limitations. Unfortunately, the Internet is not immune or protected from the biases, misogyny, and bigotry of the outside world. Though, I see the concerted efforts on the parts of various movements and groups to create spaces, which are free from those horrors. There are numerous platforms and projects dedicated to cisgendered women and LGBTQ+ communities. And often because of that visibility, trans youth are unfairly targeted and bullied online. J.K. Rowling’s tweets, for example, which at least in part only gained traction because of her celebrity and the Internet, have represented some of the worst outcomes of Internet usage and “things going viral.” Also, cyberfeminism and perhaps some of the aforementioned advocacy groups sometimes fail to address issues of race. Scott observes, “Cyberfeminism resisted easy definition and, as the manifesto showed, there were multiple iterations and conflicting notions of what it was—and was not. By 1997, the movement was running into trouble. Haraway and Butler’s texts had called for the dissolution of gender and racial hierarchies, but it was increasingly clear that cyberfeminism had failed to address race at all.” By the same token, feminism has led to problems with TERFS (trans exclusionary feminists). Both ideas confirm it seems to be difficult to create spaces designed to be completely infallible. Though I am still unclear what prevents people from being inclusionary.

Moreover, the issues with cyberfeminism speak to problems with class, especially in America. There is still an unknown percentage of the U.S. without Internet. Of course, local public libraries are expected to provide their patrons access to computers and Internet, but all that is dependent on patrons themselves being able to gain access. This access can be limited to someone’s geographic location, but also includes their ability to simply get to a local library. Also, if someone has never been on the Internet before, the process can be extremely overwhelming and leave the user frustrated. We’ve seen that many times with elderly people who do not use the Internet. They often feel like because it is not as easy as people make it out to be, they usually just give up and go on with their life as usual. They (said frustrated elderly people) feel they do not need the Internet, but if they felt it (the Internet) was easy to embrace and learn, perhaps they would not feel that way. While literacy in general has been a hot topic, and unfortunately one that has been politicized with the recent rhetoric on immigration, using the Internet itself is a form of literacy— a digital literacy. And for those reasons cyberfeminism itself is exclusionary. As with all forms of Internet usage, it relies on the user for complete engagement. Algorithms track us yes, and psychology is constantly implemented by artificial intelligence and programmers to get users to “buy more,” or simply use an application longer. And so, I posit that cyberfeminism itself attempts to apply the tenets of feminism to a space that is inherently patriarchal, colonial, segregated, and therefore incredibly limited in the context of its ability to be truly inclusive. The texts we read this week explain that the Internet was initially created by and for men, though Scott mentions Ada Lovelace.

Producing Futures—An Exhibition on Post-Cyber-Feminism at the Migros Museum für Gegenwartskunst, 2019

Scott includes an important pull quote here writing, “‘Cyberfeminism presents itself as inclusive, but the cyberfeminist writings assume an educated, white, upper-middle-class, English speaking, culturally sophisticated readership,” Wilding and Maria Fernandez wrote in the book Domain Errors: Cyberfeminist Practices.’” This is not to say there is no such thing as inclusive spaces on the Internet. On the contrary, the freedom and experimentation of the Internet have allowed for the creation of many communities, which otherwise would not have existed. In regards to political activism, it has rallied people to protest together, for example. But it has also led to many acts of violence; a uniquely antifeminist ideal. While Donna Haraway’s notion of the cyborg as a metaphorical concept does still hold resonance even today, the idea that we can break down binaries sadly does not exist. The various “cyborg-ian” dualisms and in-between spaces that Haraway envisions are contingent upon human participation, and right now the humans are unfortunately caught up in too many political crises. And the Internet is an ongoing reflection of our shortcomings.

Post for Module 4: Memes and Cultural Literacies

“Meme Magic” and the Imaginary Spaces Where Rhetoric Lives, Thrives, and Destroys

          I will begin by sharing that this module has really pushed my understanding of how memes function, generate value, and generally influence our cultural and political landscapes. I recently begun making a list for a performance poem I’m writing. The list is of things that did not exist or rather were not as popular before the year 2012. Through that list-making process, I’ve been trying to connect to a time in perhaps all of our lives when certain “things” were just not in the forefront of our collective consciousness. I began by identifying trends like “matcha latte,” “everything bagel seasoning,” and “oat milk.” But where I was really trying to go was connecting with a time when Trump was not the President, and the word “pandemic” was not in my vocabulary, amongst other things. Nevertheless, I was fascinated while reading the texts for this module to also make the connection between the way memes have gained traction, to say the least, following this period I’m emphasizing of the early 2010s. And also, how memes themselves have led to some magical identity in which they (the memes) hold all this power over us, and we are just humble servants through our abilities to constantly “like” and “share.”

The history of the meme is rich. I learned from Alexis Benveniste’s article in The New York Times that Richard Dawkins coined the term in his 1976 book, “The Selfish Gene.” However, I’m still left with many “what came first… the chicken or the egg?” type questions. In other words, would this emphasis on mimetic rhetoric let’s say, have been as popular or successful if not for the proliferation of the Internet and social media? Sparby’s article also got me thinking further about the “gender divide” for lack of a better term, or the ways in which memes have fed into misogynistic rhetoric and influenced the 2016 and likely 2024 Presidential elections.

Separately, I came across an article published by CNN just a few days ago entitled “Is the Male Gaze Back?” I was not able to read the whole thing because I’m not a paid subscriber. But after some searching I realized this topic of the “male” and “female” gaze has in fact come roaring back, and I think the current political landscape is very much to blame. Nonetheless, the topic is fueled by memes and digital rhetoric. Here’s a Yahoo article that tries to comment on the subject. The meme below with Wolverine is from that article. I wanted to include it here as an example of how misogynistic rhetoric gets propagated by the horror that is “anti-woke” movement. Ryan Milner also references the same “male gaze” in relation to 4chan, writing, “Phillips (2012) finds the male gaze predominates 4chan, and reddit’s similar reputation for misogyny came out during the Violentacrez debate. Both reddit and 4chan were prone to gender antagonisms.” Furthermore, I remember watching in horror the sound bites of Trump saying “grab them by the…” and feeling completely disgusted. One question that comes to mind though, is how much digital rhetoric or rather memes are to blame for the same misogynistic rhetoric? This seems to be crux of Derek Sparby’s article as well as he unpacks the Hillary Clinton meme phenomenon. Though the same or similar trends occurred with Kamala Harris’s campaign.

When I think about natural disasters and namely wildfires like the ones in Pacific Palisades, California, I also imagine that memes have a “wildfire” like quality to them, which I guess is also shared by anything that has the ability to “go viral.” I’m uncertain of where the term “viral” originated as it very much relates to “meme magic” and this otherworldly ability of memes and the like to spread like wildfire. But these “viral” trends, posts, and so on, do have a “sick” quality to them. In the same way I also think about compulsions or the compulsive nature of certain individuals, the sharing of memes has become a collective compulsion. And I also wonder how many people have been sucked into this compulsive sharing culture and compromised their values in the process. Regarding Douglas Eyman’s notion of “The Rhetorical Situation,” we are very much living in a meta-hypermediated-rhetorical-reality. I believe this is the “situation” Eyman is trying to unpack. Eyman highlights Steven Krause (1996) writing, “[Steve Krause] develops a theory of immediacy to articulate the idea of the Internet “as both an example and a generator of immediate rhetorical situations” (77). Eyman continues writing, “An approach that implicitly follows Krause’s construction is the move to see the rhetorical situation in ecological terms, thus allowing a given situation to exist within complex networks of interaction that are more fluid than traditional media would allow” (77-78). This reference to the “ecological” although literal, very much reminds me of the “wildfire” nature of “viral” sharing that I’ve previously mentioned. Though I’m not sure understanding the “rhetorical situation” as an “ecological” one allows us any more power over mitigating the issue, if the goal is to improve the current conditions. The Internet by design is still somewhat of a wild-west landscape, and there’s very little room or even opportunity to contain its power, and in that way, it is certainly of the occult. Though as Krause suggests, if the Internet is a “generator of immediate rhetorical situations,” what happens when the memes share the title of the “generator?” And how much of a role do users, consumers, or rather people, otherwise play?

In the spirit of this module, I would like to share several memes and posts:

 

 

Introductory Post

Untitled (You are a very special person) by Barbara Kruger https://www.thebroad.org/art/barbara-kruger/untitled-you-are-very-special-person

Please note this was my first post on this blog (from back in August) and somehow it was lost through all my edits to this page! I had to re-upload it because I still want it on the blog. Kindly scroll to view my posts on the most recent module including module 3.

Bienvenidos friends!

I’m so glad you found my blog. My name is Sara Barenfeld. I’m a Ph.D. student in the English department at Stony Brook University and this is my very first semester here. I’m also a recipient of the Dr. W. Burghardt Turner Fellowship. 

I’m really proud to hold initial and advanced interrelated degrees exclusively from publicly-funded institutions. I hold a master’s in English from Montclair State University, a master’s in education from the University of Massachusetts, Boston, and a bachelor’s in journalism and English from CUNY Baruch College.

Most of my work can be found on never ending grocery lists, to-do lists, lunchbox notes, and doodles far and wide. Some of my other work has been published or is forthcoming in Survive & Thrive: A Journal for Medical Humanities and Narrative as Medicine, Union Spring, Lilith, Please See Me, The Elevation Review, and The Jewish Advocate, among others.

My current research interests involve early 20th-century British and Irish literature, postcolonial theory, and motherhood studies. Though I am also deeply interested in poetry and poetics, inclusive pedagogy, and the public humanities.

As far as hobbies, I have a special interest in all forms of art and Semitic languages such as Arabic and Hebrew. I enjoy going to museums and one of my favorite pieces is “The Dinner Party” (1979) by Judy Chicago. If you are not far from Brooklyn I recommend seeing it at The Brooklyn Museum where it is on permanent display. One of my favorite musicians is Ani DiFranco and I’m a near lifelong fan of the 1980s sitcom The Golden Girls. As an aspiring scholar of poetry and literature, my love of both are endless and I hope I can share some of my favorites and recommendations on this blog.

Here’s a little more about me courtesy of my department’s page.

This is a blog I created as an assignment for a multimodal rhetoric course called WRT 614 Multimodal Rhetoric in fall 2025 at Stony Brook University (SUNY). The instructor for the course is Dr. Cynthia Davidson.

I hope you enjoy my blog! My first official blog post should appear simultaneously with this landing page under “posts and writings and such,” so please feel free to check it out and stay tuned for more posts. If you’d like to connect and talk further about some of my ongoing research don’t hesitate to reach out through my department’s page for a current CV.

Here’s a photo of me at the Sprague Library at Montclair State in October 2023.

 

P.S.–I would like to share a song that I’ve been thinking about a lot lately. It was released during the pandemic.

Post for Module 3: Bodies, Interrupted

Hi folks, this blog post is a mash-up of responses to the following three prompts. Dr. Cynthia Davidson authored these prompts as part of the ongoing graduate course WRT 614 for which this blog is designed. Here are the original prompts for your convenience:

1A. Write a point of view (POV) narrative of your own that demonstrates some of the concepts, pleasures, and/or anxieties that arise from these readings.

4. Consider the current information gathering controversies of the day such as the one described in Petula Dvorak’s article on Virginia governor Glen Youngkin’s campaign to gather information from apps women use to monitor their menstrual cycles. While the social and legal implications of this are profound, can you relate this attempt to regulate bodies through information of data to Hayles’ work on posthumanism?

5. What real life stories can you relate to Hayles’ ideas in her article, especially about flickering signification and changes to the way we experience presence and information? Have you had experiences that make you feel that presence has changed due to the changes in the ways that we experience reality? How have you responded to these shifts, if you are aware of such?

Below is my response: 

One area of inquiry that initially sparked my interest in pursuing a doctoral degree in English related to these underlying questions: Why does society continue to demonize menstruating bodies and how is that depicted in modernist literature? From accusations of medieval witchcraft to the early modern era to the “red tents” of the Old Testament described by Anita Diamant, I’ve never quite understood why “Aunt Flo,” as some would call it, continues to be an area of controversy. I’m pleased to see Petula Dvorak’s 2023 Washington Post article entitled, “Gov. Youngkin wants to open the flow of information — about periods” included in a prompt for this module’s discussion. Virginia governor Glen Youngkin’s campaign to gather information from apps women use to monitor their menstrual cycles enraged me. In early 2024, Youngkin’s administration essentially lost, and he signed a bill (S.B. 754) protecting the privacy of reproductive and sexual health data collected by digital apps. However, I’m not convinced this fight is over, and such a topic emerges in arguments put forth by N. Katherine Hayles’ work on posthumanism.

My early understanding of how my body “works” came about in relation to understanding life and death. From a religious perspective, many of us are taught that our bodies are simply vessels on Earth. Whether you believe in reincarnation or not, or the concept of the “soul” or not. When we come to terms with grief and loss, we are often told that despite something dying, “they (or their spirit) are still with us.” And so, it is my understanding that it is not uncommon for people to be taught early on that our bodies are actually fairly unimportant. We are “put on Earth” for a brief time, and we should “make the most of that time,” but our bodies are an unfixed entity. The body ages, it wears, it experiences physical pain, and then miraculously recovers. Moreover, what many value above the body is rather the mind. Since the concept of the physical body for many is fleeting, it is the mind, which is viewed with fewer limitations.

So, if we accept that our bodies are just that: bodies, or external pawns or vessels, how is that idea challenged or complicated by the virtual and metaphysical? When I read the writings for this week on Slender Man and Second Life, I was immediately taken back to my early memories of playing 1990s and 2000s computer games; most notably, The Sims and The Oregon Trail. Before that, I was obsessed with my Barbie dolls. I loved the idea of imaginative play and the notion that I could do or saying anything, but it wasn’t me actually doing it, right? If Barbie said something mean, it was Barbie who said it–not me. If I “died” of cholera in The Oregon Trail, it wasn’t my fault that I didn’t pack enough rations. And if my Sim character lived in a home with no furniture, well it was at least partially the Sims fault. These types of seemingly simple shifts from “presence to pattern” and the relationship between the “physical world and embodied experience,” as Hayles would explain, I posit plague our present existence.

Regarding posthumanism, Hayles asserts that the body itself is essentially entangled or intertwined with information systems (73). For one, the various algorithms on social media are often scary. I argue they affect women disproportionately simply because there is an added element of tracking as it relates to the female reproductive system. Medical tracking technology exemplified by the Apple Watch or the Oura ring, is able to tell women they’re pregnant often before they know or realize. And that data is not secure. Similarly, I recently bought a piece of clothing online that was technically part of the maternity line at Old Navy, and almost immediately I was flooded with ads on social media and beyond about early pregnancy. These types of examples are extremely common. Despite the failed efforts of Youngkin’s administration to access women’s period tracking apps, I could almost argue that he does not even need to publicly claim he will do that. In other words, our data is already being tracked by major corporations. It is already not private. And so, in considering Hayles’ claims and my early understandings of the body, one could argue that our bodies have never been our own. However, technology, data mining, and information systems have added an entirely new dimension to the “human” experience. On dating apps, you can in theory misrepresent yourself entirely. Any portal or platform via the Internet or application allows humans to experience the other worldly at their fingertips.

Nevertheless, women’s bodies in particular have been a battle ground for autonomy and control. Because women are typically inherently born with the ability to act as gestational carriers for future human life, men and their respective governments feel compelled to control female bodies. But, it is the female body and often menstruating body that continues to be demonized, perpetuating further beliefs of misogyny and terror. These tropes feed into harmful ideologies and discourses as it relates to women who are unable to have children or choose not to procreate. Similarly, this inherent value on procreation prevents women from taking ownership and control over their own bodies in various settings. Beyond that, women’s healthcare is underfunded and severely at risk. Not to mention the (devastating) overturning of Roe v. Wade. Women are often not believed for their pain and under-treated for conditions like endometriosis. So, as much as we have the ability to act beyond ourselves in

Text reads: In this drawing Kahlo replaces her heard and arms with the head and wings of a dove, freeing herself from her own body. As a consequence of the accident and polio, Frida's right leg was affected throughout her life and had to be amputated. At first, Frida refused to wear her prosthetic leg, and it finally took her three months to learn how to walk with it. This series of drawings from her diary illustrate her trauma and resignation during a period of her life that left her restless and disturbed. Along the bottom of the drawing are lines from Rafael Alberti's poem "The dove made a mistake."

Text reads: In this drawing Kahlo replaces her heard and arms with the head and wings of a dove, freeing herself from her own body. As a consequence of the accident and polio, Frida’s right leg was affected throughout her life and had to be amputated. At first, Frida refused to wear her prosthetic leg, and it finally took her three months to learn how to walk with it. This series of drawings from her diary illustrate her trauma and resignation during a period of her life that left her restless and disturbed. Along the bottom of the drawing are lines from Rafael Alberti’s poem “The dove made a mistake.”

games like Second Life, the physical experience of the body, and in this case the female body, is emphasized in healthcare and we cannot avoid it as a topic of discussion and sadly, controversy.

I would like to end by sharing a brief anecdote about the Mexican artist Frida Kahlo. If you are unfamiliar with her story, it is truly devastating. She suffered from a bus accident during which a metal pole penetrated her womb and pelvis. As a result, she was unable to have children and for much of her life she was unable to walk. Because of the accident and a bad case of polio. In March of 2025, I had the privilege of visiting her childhood home (now museum) where she painted many of her masterpieces. On display was a diary entry and drawing of her body as she understood it after the accident. I’ll let the words speak for themselves. But I’m curious, how do you understand these complicated concepts of our physical bodies and information systems as we experience them? Is there a way that the virtual universe allows for freedom from the confines of our physical bodies? Do you agree with my understanding and interpretation of Hayles’ arguments (73-88)?

 

Post for Module 2: Multimodality and Remediation

Post Below for Module 2: Multimodality and Remediation

Remediation as seen at the Anne Frank House, Amsterdam, Netherlands, and Anne Frank: The Exhibition at The Center for Jewish History, New York City

As a lover of both art and history I was searching for Bolter and Grusin’s definition of “remediation” in physical representations as opposed to exclusively digital. What I believe I have uncovered is in fact both. Holocaust education and the integration of Holocaust literature into college and high school English curricula has been a hotly contested issue in recent years. Various studies have shown an alarming percentage of students are unfamiliar with the history of the Holocaust. It can be a particularly polarizing and traumatizing issue to talk about as well, since some parents prefer to wait until their children are in their late teens or young adulthood to fully talk about the horrors of the Holocaust. In fact, there are a number of people who prefer to just never talk about it due to its triggering and overtly depressing nature. For English educators, there are a variety of popular texts often assigned to students. One is of course the short memoir, Night (1960) by Elie Wiesel. Another more creative take is the graphic novel Maus (1986) by American cartoonist, Art Spiegelman. However, none is perhaps more titular than The Diary of Anne Frank (1947). Educators will often use the work to explore epistolary writing. When I first read The Diary of Anne Frank (1947) I didn’t quite realize that the secret “annex” or attic in which we she was hidden had actually been preserved and turned into a museum. I was probably around twelve years old, and I had never been to Europe. At that time, I also rarely visited museums and was grossly unfamiliar with the curatorial process or rather the process of “preserving” history. I am grateful for the opportunity to revisit this subject now because I see the Anne Frank House in Amsterdam, and Anne Frank: The Exhibition at The Center for Jewish History in New York City, as notable examples of Bolter and Grusin’s concept of remediation as I argue below.

Anne Frank’s story and namely her hidden domestic spaces have been showcased through multiple forms. While curators have attempted to preserve her original experience, through that process they have also changed several spaces. Anne Frank’s annex serves a teaching space. It educates visitors about the Holocaust and acts as a visual aid for readers who have read her diary. In this way, the viewer is able to engage with history in both an introspective and extrospective way. The annex is haunting and immersive. Visitors usually walk through the annex in silence, often weeping. Through the preservation of the annex, Anne Frank’s voice, story, and experiences are etched into our collective memory. It is rare that a literary work holds a connection to a physical space that has been “remediated.” On the one hand, there are historic homes of authors that museum goers can visit. For example, Ernest Hemingway’s home is open for visitors in Key West, Florida. On the other hand, to have a specific space dedicated mostly to the recreation of Anne Frank’s experiences feels rare to me. This recreation is exemplified through Bolter and Grusin’s concepts of immediacy and hypermediacy. The physical space demonstrates immediacy because the visitor is simply present in Anne’s world. The experience of visiting the space is typically both emotionally and physically engaging. As I understand it, the goal of the space is for visitors to feel as if they are immersed in Anne’s world. Significant efforts have been made to keep the space exactly as it was during the years when Anne hid there, though furniture has been removed.

Bolter and Grusin’s notion of hypermediacy is also present in the Anne Frank House because great lengths have been taken to bring digital and therefore learning elements into the space. One thing usually associated with digital engagement in the context of museum education is its ability to promote accessibility such as through the use of audio guides. Hypermediacy exists through the many (and I really mean many) opportunities to engage with Anne Frank’s story through your computer. The most obvious examples of hypermediacy exist on the Anne Frank House website. There is an entire tab and section devoted to “online visits.” You can actually visit the Anne Frank House from your couch through your computer screen. There is a 3D virtual tour and an entire Virtual Reality (VR) experience also available through personal technology. You can even visualize what the attic looked like with furniture. There numerous resources included a premade digital lesson for students.

Anne Frank’s story and diary are being remediated both in the physical space of the museum and on the museum’s website through attempts to make viewers and visitors feel as if they are in Anne Frank’s mind. The various attempts at preservation make viewers hyper-aware of their experience because almost all artifacts or facsimiles are historically accurate. The type of remediation happening both at the museum and on the website, according to Bolter and Grusin is “aggressive” and emphasizes the “opacity” of the experience. They explain:

“The viewer acknowledges that she is in the presence of a medium and learns through acts of mediation or indeed learns about mediation itself. The psychological sense hypermediacy is the experience that she has in and of the presence of media; it is the insistence that the experience of the medium is itself an experience of the real. The appeal to authenticity of experience is what brings the logics of immediacy and hypermediacy together” (Bolter & Grusin 71). *(This was supposed to appear as a block quote as I wrote this initially as a WordDoc. Please note in MLA style this should be a block quote).

The experience of the visitors at the Anne Frank House is meant to suspend time and space and plant you squarely in what was once Anne Frank’s experience. However, we know to do that completely and successfully is truly impossible. Nevertheless, the curators have created a new and unique experience for visitors by way of “remediation” from the original space.

Similar attempts are being made by the curators of Anne Frank: The Exhibition at The Center for Jewish History in New York City. Not everyone has the ability to fly to the Netherlands and visit the Anne Frank House. Various donors and curators came together and created a replica of Anne Frank’s annex right here in New York City. The experience is in part modeled after recent immersive experiences of artwork by Monet and Van Gogh, which have grown in popularity. It is a complete recreation and not the original. The exhibit is running through February 2026. It is a blatant example of remediation because the viewer knows it is not the original and many parts have been repurposed, recreated, and reenvisioned.

The remediation of Anne Frank’s story also brings to mind many ethical questions. These questions have plagued Anne’s diary since its publication. Her diary was found by her only surviving relative: her father, Otto Frank. Grief stricken, Otto did not want to publish Anne’s diary at first. He was later convinced by Holocaust survivors and historians to do so as it is a vivid literary account of the atrocities of the Holocaust; namely Anne’s experience of hiding. Though Otto finally agreed, he famously took it upon himself to edit and redact various entries of Anne’s diary that he felt were too private or personal. Her experiences with sexuality, puberty, and more detailed accounts of her budding romance with Peter van Pels (also known as Peter van Daan in Anne Frank’s diary) were censored. At the Anne Frank exhibition in New York City, The Center for Jewish History has a gift shop where visitors can buy a replica of Anne Frank’s diary. This experience in part inspired a satirical short film which has since one several awards. The film is called The Anne Frank Gift Shop (2023). You can watch a clip and read more about it here. I highly recommend watching it. Bolter and Grusin’s concept of “remediation” addresses these ethical questions. Access to art and literature continue to be pressing topics of discussion with Holocaust history and literature at the forefront along with attempts at remediation. I look forward to reading your thoughts in the comments! For one, do you think it’s acceptable that museum goers can buy a replica of Anne Frank’s diary? How does “remediation” help us understand and access Anne Frank’s story outside of the museum in Amsterdam?

Remediation Part Two- Honorable Mention:

Though I discussed the Anne Frank House and Exhibition in my post, I initially wanted to write about the art piece The Map by Rachel Fallon and Alice Maher. Here is also a short YouTube video on the piece. I recommend watching it. Reproductive rights is a huge topic both in the U.S. and Ireland with the latter having a dark history of the Magdalene Laundries. Here is more about The Map from Fallon’s website. Do you also see evidence of hypermediacy and immediacy?

 

First Post Week 1

This is a personal photo taken on my iPhone of one of my favorite street corners in New York City. It’s in the West Village. I took this photo in Summer 2012 and used Instagram for the black and white border and filterFirst Post Week 1

First Post Week 1 Below: 

I hope you’ve had a chance to check out my little landing page! I wanted to create a separate post to talk about my goals and answer the prompt.

Goals: Well, this is my first semester at Stony Brook, so as of now it’s no so easy to look too far into the future. However, I did a lot of soul searching and spent a lot of time really thinking about why I wanted a Ph.D. in English before I applied.

I started my “statement of purpose” with this paragraph: “During the dead of winter in 2023 I was studying for my second master’s degree at Montclair State University when I came across the article “The End of the English Major” by Nathan Heller, published in The New Yorker. Nowadays, I often misquote the article as “The Death of the English Major.” I am applying to the English Ph.D. program at Stony Brook University because I refuse to believe that I am entering into a discipline that is no longer relevant or useful. Although education in the humanities at colleges and universities is rapidly changing, I am determined to continue to contribute to the field. I place significant value on the digital and public humanities, and I also believe strongly in creating inclusive syllabi. I envision future employment outcomes for myself in a variety of settings within academia and the public humanities. I aim to make canonical authors like Joyce accessible to students with a range of abilities through my commitment to inclusive teaching. I also continue to witness how art and literature intervene and address pressing social issues.”

Please know, I’m not trying to self-plagiarize here or reuse content for this post, but I just really feel that sums up how I feel pretty accurately! And that paragraph took me many months to write and finalize, so I’d like to share it with you. I’m really excited by the way many scholars and professors are piloting new programs and exploring the ways in which technology can both stimulate and assist all of us. I was initially registered for another course this semester when an advertisement for WRT 614 was circulated on the English department’s listserve. I immediately thought, “I have to take that course!”

A project that I’d like to take on either for this course, or in the long term is making an accessible online resource dedicated to one of my favorite authors. Some popular ones sort of become digital archives. I’ve seen a few done with early modern authors. Here is an older one on Shakespeare.  Here is a really fantastic one on a poet named Hester Pulter run by Northwestern.

In general, I’m clearly excited for our course. I hope to become more proficient in working on blogs such as this and generally more comfortable with online use and engagement. As much as I value the digital humanities, I don’t consider myself especially “tech-savvy.” So, perhaps this course will help me strengthen some of those muscles. Nonetheless, I am also very interested in the content and the modules.

I will post again next week!