Critical Response-Night and Fog

Night and Fog

       Night and Fog is a documentary made in 1955 and released in 1956. It is a 32-minute long film directed by Alain Resnais, featuring a German concentration camp set in Poland during World War II. The film was shot 10 years after the camp was abandoned but it also contains the footage from the times of WW2. Throughout the film, the shots switch between the chaotic scenes when the camp was still functioning and the peaceful scenes later on for the purpose of letting the audience realize the trauma that war brought to this land. With the comprehensive narrative and sometimes serious music, the audience can have an immersive journey with the narrator. I was impressed with the editing techniques, unique narrative style, and graphic nature. All that came to support the purpose of the film. It is to remind the audience of the cruelty of the war and people should not forget history; moreover, it is to let people from future times remember this piece of history and maybe prevent this from happening again. 

       The documentary features a German Nazi concentration camp constructed during World War II, and soonly after it became a human hell for the prisoners. They were suffering from excessive labor, serious starvation, and eventually, most of them were murdered cruelly. The narrative offers a thorough and comprehensive walkthrough of the events that happened. 

       The story of the documentary follows a general plot flow, meaning it has an introduction, progression, climax, and ending, but it is the use of flashbacks that made the film unforgettable. The plot starts with the footage of the camp at current times, with peaceful landscapes and light music. The director meant to surprise his viewers when the narrator came up with the words: “Blood has dried”. Then, throughout the whole film, the footage of both current and previous times are combined while progressing through the story. The title of the film night and fog is explained when the scene turns from day to midnight, the time when the prisoners were transported to the camp. It is an accurate metaphor and foreshadowing representing the tortures the prisoners will suffer. However, the film did not show the massacre upfront, instead, it follows a chronological order. This will give the audience a more immersive experience. Thus, the film began by introducing the camp’s background, its types, and how it was built. Then, it was cut to the scenes where the prisoners were suffering from starvation, illness, and loads of labor. And by the end of the film, the footage of the great massacre was shown and the plot reaches its climax. Prisoners were either killed by the poison gas or bullets. The bodies will be burnt down to ashes to “save space”. All these are meant to call for viewers’ sympathy and specifically anger, to accomplish the film’s expectation: to never forget the bloody history. In addition, to accomplish the purpose of summoning emotional response, the narrative of the film has done its excellence. 

       The music and the voice-over narrative have served a lot to the success of the film. The narrator’s voice throughout the whole film sounds calm and methodical, making the footage more realistic to the viewers. When the footage of the prisoner building is presented, the narrator’s voice sounds both sad and sarcastic when he says “useless to describe what went on in these cells”. Moreover, near the end of the film when the commander and other officials of the German Nazis were asked about the concentration camp, they all replied: “not my responsibility”. Such narratives additionally brought up viewers’ anger and help achieve the film’s objective. The music within the film also sticks with the narrative. When the scene turns to current and peaceful times, the music sounds light; however, when the plot gets more serious, the music became moving and tragic. Interestingly, the music occasionally stops when the narrator is elaborating on the facts of the story. This helps the viewers to concentrate more on the narrator’s voice instead of being distracted by the background music. All these narratives from the film are reminding the viewers of all times of the tragic history that has happened. And it is calling everyone to remember the taught lesson. Besides the plot and the immersive narrating, the graphical image of the film is the most notable feature of the film. 

       One of the advantages that the film possesses over the radio or newspaper is that it allows the viewer to realistically experience the event by showcasing camera shot footage. And Night and Fog has accomplished great success by using this feature. Throughout the whole film, explicit images and uncensored footage are occupied every minute. In the beginning, when the film is introducing the German Nazis, footage of Hitler’s speech and the military’s marching toward is shown. This gives the viewers a direct sense of what occupies all this craziness. And when the camera turned to the walk through of the camp, the viewers are able to experience themselves what it feels like to be quarantined. When the audience witnesses the scene where the prisoners were being tortured and killed, they have the most immersive experience since the footage is considered raw and realistic. Nothing is censored throughout the film and it was the producer’s choice of keeping everything as realistic as possible for the sake of the true history. The mentioned footage of the German officials denying their responsibilities became infuriating because it feels like they are lying to the viewers’ faces. The footage becomes more explicit as it progresses. Footage of women’s hair stacking up like a mountain, and tons of skulls were placed on the ground, waiting to be buried are shown in the latter part of the film. These not only catch viewers’ feelings but also help them understand the cruelty of the German Nazis. 

       In conclusion, the film reached its success by presenting realistic and unedited footage to the viewers and by recalling the audience’s emotional response. The comparison between the current and the previous footage further makes the viewers realize how much damage the war can bring to humans. In addition, the narrator’s calm voice and comprehensive narrative are well structured in the film along with the suited background music. The audience is able to become fully aware of the information within the footage. Last but not least, the explicit images throughout the whole film not only help create an immersive experience for the viewers but also made them realize how much damage German Nazis brought. Night and Fog is a documentary that went beyond its purpose. It can be seen as a documentation of true history; moreover, it is a lesson that prosperity will always keep in mind. 

       This film has considerably inspired me for my master project along the semester since I am also working with the theme of unstoppable time and history. I have combined the technique of storytelling and plot setting within my film: Why We Shouldn’t Time Travel.  I am elaborating on the idea of never forget history, and further more, I aim to tell my audience that we are not able to change history whatsoever, but we can learn our lessons and change the future. 

“Dimension” Progress Review

Title:

Dimensions

Anticipated length:

5 ~ 7 minutes

Equipments

Footage recording: Sony A7III with 55mm F1.8 and 24~105mm F4 lenses; GoPro; Google Pixel 4 smartphone.

Footage editing: Windows desktop; Adobe software; Cinema 4D. 

Topic:

How we use dimensions to define our existence, culture, and history

Storyboard

Begin with eased in footage of driving down the road. Introduce how we are living and moving in this 3-dimensional world. Use Cinema 4D to build up 3D models for explaining the mechanics of how we exist. 

Introduce “time”, explain its importance in terms of history. History becomes meaningless without the existence of time. Use a similar footage of driving on the road but in slow motion and in backward. Use these two ways to demonstrate the importance of time only moving forward. Refer to “Loving Vincent”, an oil painted animation. With the help of time moving forward, we are able to witness a number of paintings coming to life. Loving Vincent

Use footage of the clock hands moving in both forward and backward plays. 

Explain why we are unique to this world, and what will be happening if a fifth dimension is found. 

Shot Footage:

Clock rewinding:   link

Driving time lapse:  link

Book Project “deMention” Details

link

Documentary Project Proposal

ARS 402 Task 3

An Exploration Through Dimensions and Their Relationships. 

Medium: Video Documentary

Length: 10 minutes

Some say we are living in a world with three dimensions(width, length, height), while others may like to add a fourth one: a continuously running time that only goes forward. This opens a gate towards many topics that explore the relationship between dimensions and how they can be demonstrated in our living world. Through studies with dimensions using 2D graphic and 3D installation artworks, I have acquired some knowledge of our existing 3-dimensional world as well as the more advanced dimensions that may influence our living environment in many ways. 

 Even though demonstrating various dimensions is as fun as it may sound, I still feel the obligation to spread my understanding to others. Thus, I have decided to produce a piece of documentary to record how I have gone through the physical and mathematical explanations and showcase how I would perceive this vast system using my understanding. 

At the beginning of the documentary, I would like to start with the basic knowledge of dimensions. By using common sense like how we perceive our three-dimensional world. I will be using architectures, small objects, or even a cube from an art studio, to explain the basic elements of what our world can provide. Further, I would use a cube to crystalize my idea.

 Next, I will be using one of the books I made: deMention, to explore how each dimension connects. In the book, I have used strings and paper to demonstrate how one dimension can evolve into the next one. The interaction provides a visual animation to the readers so that people of all ages can come to an understanding of what I am trying to explain. 

 Once the understanding of our three-dimensional world has been accomplished, I would like to take the audience to the fourth dimension, a world that we are unable to witness. Thus, I will be using 3D models to demonstrate it. Same as what I did with my book, I will be using interactive techniques to let the audience understand how the fourth dimension can be added to our known world. Rather than using plain text and tasteless narratives, I would like to use visual information to better inform my audience how dimensions work with each other. 

Since scientists are still on an early stage of exploring dimensions beyond the fourth one, I will not be showcasing the audience with imaginary information; instead, I will continue with my existed facts and go further with the relations between dimensions. 

At this point, I will be using animation, 3D model rendering and installation artworks from other artists as well as myself. Camera shooting and lighting will be well managed to create a sense of aesthetics. At the beginning of the documentary, a montage consisting of architecture and other small objects will be showcased, thus, I will be using a wide-angle lens to cover as many sceneries as possible. Further into the story, I will be using close-up shots and regular shots to showcase my book to let the audience have a feeling of themselves flipping through the pages. Next, I will be using computer-rendered animations to further explain my ideas and future forms of this topic. 

 

The Naked Eye, Louis Clyde Stoumen

 

Images Folder: link

Louis Stoumen was an American photographer, film director, and producer. He won two Academy Awards with The True Story of the Civil War and Black Fox: The Rise and Fall of Adolf Hitler. I also became very impressed with his other work: The Naked Eye, produced in 1956.

The 10-minute long film starts with a brief introduction of the history of photography which was invented and improved by Louis-Jacques-Mandé Daguerre and Joseph Nicéphore Niépce. Then, it introduces the example of the camera’s practical use featuring one of the famous freelance photojournalists, Weegee, who used photography to record significant moments in NYC. Afterward, Stoumen starts to introduce other uses of photography such as exploring the structure of vegetables from outside to inside. The shades of the lights and shadows help create different results that helps photographers to understand their surroundings using not only their eyes but also through the camera lenses.

Overall, I was remarkably impressed by Stoumen’s work, such as his choice of content, intuitive narrative as well as the quality of the images. I look forward to gaining more knowledge from his works and maybe portray some of these techniques on my works as well.

 

Personal Work: link

Final Project Research

Sinziana Velicescu

Sinziana Velicescu is a photographer and filmmaker based in Los Angeles, California. She is a graduate of the University of Southern California with a B.A. in Comparative Literature and Film.

Her photography explores human intervention with nature in landscapes that have undergone political, social, or environmental change. Appropriating architectural vocabulary, Velicescu disrupts everyday topography via careful composition to develop an elegant and humorous narrative to tell the story of place.

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Emilia Kwiatkowska-van Dijk

Visual Artist | Integration Engineer

Tampere, Finland

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Alexey Kozhenkov

Alexey Kozhenkov was born in 1993 in Riga, Latvia. He currently lives in Moscow, Russia. Started photography as a self-taught photographer, after graduating from university. His photographic interests are centered on the themes of architecture, urbanism and other unusual man-made structures.

Task 6, Artist Statement

Throughout the semester, I have been constantly taking photographs of buildings in New York City and below is a seven-photo-collection of my favorites. As a fan of minimalism, I am always looking for the best angles to take my shots; however, in New York City, it often seems impossible to find a clear shot because of the traffic, billboards, etc. Thus I began to aim towards the tip of everything since the sky can provide a clean and consistent background.  Having sky as the background provides me with the best opportunity to focus on the objects I am aiming for. In addition, each one of the photographs was taken from a similar angle in order to keep the theme even more consistent. 

After the shots were taken and selected, I began to start selecting different themes for photo editing. Both cool tones and warm tones were experimented on these photos; eventually I decided to leave what is the most suitable for each photo. 

For the three indoor photographs, I specifically chose to go deep contrasting and light color so that the structural details can be fully presented within each photo. This also leans to the theme of minimalism. By only keeping a small part of the building in each image, I am able to maintain a really systematic theme among all the works. In the future, I am planning to continue this work and keep looking for new and creative angles to catch. 

the final presentation: Focuses on Details

Statement

       Throughout the semester, I have been constantly taking photographs of buildings in New York City and below is a seven-photo-collection of my favorites. As a fan of minimalism, I am always looking for the best angles to take my shots; however, in New York City, it often seems impossible to find a clear shot because of the traffic, billboards, etc. Thus I began to aim towards the tip of everything since the sky can provide a clean and consistent background.  Having sky as the background provides me with the best opportunity to focus on the objects I am aiming for. In addition, each one of the photographs was taken from a similar angle in order to keep the theme even more consistent. 

       After the shots were taken and selected, I began to start selecting different themes for photo editing. Both cool tones and warm tones were experimented on these photos; eventually I decided to leave what is the most suitable for each photo. 

       For the three indoor photographs, I specifically chose to go deep contrasting and light color so that the structural details can be fully presented within each photo. This also leans to the theme of minimalism. By only keeping a small part of the building in each image, I am able to maintain a really systematic theme among all the works. In the future, I am planning to continue this work and keep looking for new and creative angles to catch. 

World Trade Center Station

Building in Chelsea Area

The Vessel_1

The Vessel_2

The Grand Central

The Metropolitan Museum_1

The Metropolitan Museum_2

Discursive Prompt

As an art student, I mostly tend to notice beauty within objects that occupy high contrast and vivid colors. Therefore, photography and photo editing become helpful because they keep the aesthetic of my works consistent. Besides, not only I can keep my obsession with the hard lines and high contrast in my photos,  the ability to edit photos enables countless outcomes from photos that were already taken. 

If I am to paint something on a canvas, one of the most crucial things is to manage the layout of the image. With a careful layout, the audience will easily be able to distinguish the main objects from other secondary parts. Fortunately, photography provides me with the opportunity to practice the layout of the components in a very efficient way. All in all, photography helps me stay on a consistent theme in terms of color schemes and it also helps me to practice with layout management within artworks.