Social Media & Posthumanism

In order to understand students to better engage them in their own learning in a secondary ELA classroom, it’s pivotal to understand students’ literacy backgrounds.  Before Millennials became “Millennials,” they were digital natives.  Being raised in a digital, media-saturated world is the new normal for students in the United States.  No longer are the days of hardcover Encyclopedic series or even dictionaries.  It’s Wikipedia and Dictionary.com at worst and JStor and Oxford-English at best.  The manner in which students gather information is mainly through digital media and technological devices.  With such a broad shift in social and learning culture, it is worrisome how the education system is slow to catch up.  While veteran educators and administrators are still defending the high school canon of conservative rich white men from the 1700s and earlier, students today have entered most assuredly into the context of the posthuman.

The use of social media is characterized by identity and participation.  Whenever a person dives into a new social media platform, they are greeted by standard profiling questions: email, username, password.  Sometimes, depending on the platform, users are asked for first name, last name, or gender.  From there, profiles are generated and @arivera9548 is no longer an empty domain name, but a person, or rather, an extension of a person, the creation on the posthuman.  Katherine Hayles clarifies, “even a biologically unaltered Homo sapiens counts as posthuman.  The defining characteristics involve the construction of subjectivity, not the presence of nonbiological components” (Hayles 4).  From the moment users create a social media profile, they have constructed an agent of themselves.  Through this profile, this extended subject can browse, navigate, and participate in the contexts and constructs on the platform.  Serving as an extension of the user, yet, dissociated from that same physical being. Creating a social media presence allows for teenagers and students to involve themselves in “the construction of subjectivity,” as Hayles highlights in the definition of posthuman.  When students create their profiles on social media accounts and write themselves into being, they are entering into a networked public and altering their definition of self.  From their given name to a chosen username, teens alter their subjectivity to be identifiable with a pattern of information displayed as their profile page.

 

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Introduction: From Fantasy to Reality

When I was a student teacher, I was bursting at the mental seams with ideas for challenging the traditional classroom environment.  My only goal for the classroom – other than getting real-life experience teaching a room full of students instead of observing from the back of the room – was to engage students in their own learning.

From my experience in the classroom as a student, I became all too aware that the only reason I was engaged in a traditional classroom setting for English Language Arts was because I wanted to be.  I wanted to learn about iambic pentameter and master Shakespeare’s English.  I wanted to write kennings and boasts for Beowulf.  I had a passion for English, and I was enamored with learning it in the classroom.  The problem?  I was only one out of thirty students in a class that felt that.  One in potentially one hundred and twenty students a single teacher had.  Spanning that across the whole school and calculating how many students were genuinely engaged in their own learning…well, that’s a little too much for my English major brain to even wrap my head around.  But the results that I do understand are that the numbers are off the charts and that traditional teaching methodologies are doing a huge disservice to modern students.

Jumping back to my goal for student teaching, I had had this realization before I even started, and I knew that I wanted to challenge the classroom environment and give students a different classroom experience.  To say that I was roadblocked at nearly every opportunity would be a sentiment I think most educators can relate to.  Every painstakingly crafted lesson plan I had to incorporate technology, and thereby student engagement, was denied.  Whether due to access restrictions, unapproved media, or risking overestimating student maturity.  My cooperating teachers would prefer to stick to traditional means of instruction at all costs to avoid any interaction with new digital technologies or risk navigating a platform students understood better than them.  While it wasn’t easy to turn digital lessons into paper ones, I made do with what I could and will offer some of those alternatives too.  However, I want to call attention to the disservice being done to modern students by instructors not informing their teaching methodologies based on students’ digital knowledge and interaction.

One of the markings of our current time is the craze of social media.  These platforms create different niches through foundations of the specific platform and their categorization of content to be found, followed, and attached to a profile.  Profiles which, in effect, reconfigure users’ identities and participation in these networked publics.  The purpose of this project is to investigate the relationship between social media and identity representation, creation, and dissociation.  How people, namely adolescents, write themselves into being can be indicative of their participation in these networked publics and can be used to inform educators how to best engage students in learning and inform their own teaching practices.  This project serves as a call of encouragement for classrooms to shift perspectives: from telling students to put their phones away to telling them to take them out.  Encouraging the use of digital media and social media practices in the classroom, educators can better understand their students and modify instruction to challenge and transform a traditional classroom setting and increase student engagement in their own learning.

For the purpose of this study, the terms teenagers, adolescents, and students will be used interchangeably, as I am writing from the perspective of a certified secondary education teacher and will bring that experience to this research.  However, this does not limit the scope of the research to only teens.  As you will see when you read through the literacy sections of this archive, students begin developing their literacy practices from a young age, and today, more and more pre-adolescent children are gaining access to smartphones and social media.  They are beginning to engage in the same practices adolescents are, but from a much younger age (which is a whole research paper in and of itself considering they’re learning to read and write while already writing themselves into being online!).

 

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Liberating Literacy

“Literacy narratives are powerfully rhetorical linguistic accounts through which people fashion their lives; make sense of their world, indeed construct the realities in which they live. Literacy narratives are sometimes laden so richly with information that conventional academic tools and ways of discussing their power to shape identities; to persuade, and reveal, and discover, to create meaning and affiliations at home, in schools, communities, and workplaces, are inadequate to the task. For this reason, the collection focuses on the work of both narrative theorists and literacy educators.”

 

My first encounter with the discourse of literacy was in my education courses.  I loved the pedagogical conversations literacy raised and the interdisciplinary nature of it.  Literacy was not limited to ELA concerns, but across all subjects.  Being literate is a definition that changes in so many different contexts, and I think the Stories That Make Us perfectly demonstrated that fluidity and diversity.

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Transcendent Explorations

Katherine Hayles’ book, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Infomatics” was a fascinating read and deep dive into posthumanism, its implications, and the importance of the connection between science and literature in navigating our posthuman era.

To be honest, I never thought I would be able to define posthumanism or really understand what it entails, but Hayles’ piece was so engaging and reader-friendly that I was surprised by just how many connections I was able to make to my own experiences, literature, and media tackling these same issues of posthumanism.

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Bedrooms and Sarcasm and Puppers, Oh my!

The creative diversity built into the very foundations of social media technology affords participants and users of all backgrounds and intentions to create a networked space, an extension of themselves.  Danah Michele Boyd extends the concept of “bedroom culture” to our creation of identity on social media platforms and profile creation.  Her chapter on “Writing Oneself into Being” intrigued me, as it appealed to all types of users and groupings.

She writes about the various uses and displays of MySpace that teens employed to give their imagined audiences their desired portrayal of themselves.  All of the featured adolescents rigidly adhered their profiles to a specific intention.  Some wanted to follow the trends of the “in-group” popular students by posting content relevant to those groups and updating frequently.  Others really only used it for its practical, communicative affordance to chat with their friends.  Some used it to document their interests or as a creative outlet/platform.  Regardless of what stance their profiles took, they all had an intended purpose, an imagined audience, and a set of restrictions and freedoms that worked in those contexts.

What fascinated me most about reading this article was the quick associations I was able to make from one group to the other.  Very quickly, examples of each of these types of behaviors popped into my head alerting me to people I know and how they use social media, and how I do as well.  I found myself rolling my eyes in some parts and agreeing with others, simply because even I was unconsciously searching for my place – my “in-group” – in the practices of identity creation through social media.  It was a very trippy experience sending me back to high school, where dare I say – I perfectly parroted what Cara, the sarcastic 20-year-old who eschewed the identity practices of the “popular people” lamented:

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To Rage or Not to Rage: Educational Applications of Digital Media & Rhetoric

My journey in education has only just begun, and the more pedagogical exploration I have, the more invigorated I feel for that future to come.  I see the classroom as a challenge for both the students and the teacher.  For the students, challenge helps them learn, grow, and take risks.  For a teacher, it does the same with the added benefit of fine-tuning instruction for a variety of learners and requirements.

When it comes to teaching, there is no “one way,” “right answer” approach.  Every day is an experiment in lesson planning and progression based on adaption to student learning.

The only requirement I think teaching really has is not giving up. Continue reading

Bringing Dante Back: Fanfiction as “Tradition”

It is with no exaggeration that I am a born and bred classicist of literary theory and criticism, and by no stretch of the imagination an expert in the discourse of Digital Humanities and Rhetoric. In fact, most of what I attempted to digest from the readings are concepts completely foreign to me.

Way to date myself and then expect everyone reading this to believe I’m a part of this technology generation!

To say that I’m an anomaly in this fast-paced tech generation is an understatement, but grappling with these readings and struggling to determine how I could synthesize information so foreign to me returned me to my strengths. Instead of trying to pair my experiences with computers, phones, and the never-ending stream of social media, I returned to my roots: Dante. Continue reading

Hello World!

Hi readers,

My name is Alexandra Rivera, and I am currently enrolled in the English MA program and working toward the Writing & Rhetoric Certificate.  I have been working toward my BA/MA degree, and this is my first semester as an official MA student.  Last semester, I completed my student teaching at the secondary education level, working in both an eighth-grade classroom and a twelfth-grade IB classroom. I also graduated from the English Honors program, having written a thesis on Dante’s Inferno, as well as a thesis in Japanese studies on the same subject matter.  I hope to pursue my Ph.D. in medieval literature so I can further my research on Dante, but I would also love to maintain my research in Japanese Studies by doing some interdisciplinary work as well.

I’m always enthusiastic about researching and delving into new fields of study, which is why I am enrolled in this course.  I previously took Professor Ken Lindblom’s YA sci-fi class, in which we had to keep a blog and explore all the affordances of blogging, which I enjoyed very much and am looking forward to keeping again.  I’m excited to learn more about Digital Rhetoric and see how I can integrate it into my future research and even teaching practices.

Looking forward to working with you all!

 

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