Task 3: The Camera

F/4.5  1/250 ISO200

Deep Depth of Field: F/4.5 1/250 ISO200

F/8.0  1/125 ISO400

Shallow Depth of Field: F/8.0 1/125 ISO400

F/4.5 1/50 ISO400

White Balance: F/4.5 1/50 ISO400

F/4.5 1/50 ISO400

White Balance: F/4.5 1/50 ISO400

F/4.5 1/50 ISO400

White Balance: F/4.5 1/50 ISO400

F/4.5 1/50 ISO400

White Balance: F/4.5 1/50 ISO400

 

F/4.5 1/50 ISO400

White Balance: F/4.5 1/50 ISO400

F/4.5 1/50 ISO400

White Balance: F/4.5 1/50 ISO400

Braketing 9 - Underexposed F/4.5 1/50 ISO400

White BalanceĀ F/4.5 1/50 ISO400

Braketing 8 - Underexposed F/22 1/250 ISO100

Braketing 8 – Underexposed F/22 1/250 ISO100

Braketing 7 - Underexposed F/22 1/250 ISO200

Braketing 7 – Underexposed F/22 1/250 ISO200

Braketing 6 - Underexposed F/22 1/250 ISO400

Braketing 6 – Underexposed F/22 1/250 ISO400

Braketing 5 - UnderexposedF/22 1/250 ISO800

Braketing 5 – UnderexposedF/22 1/250 ISO800

Braketing 4 - Underexposed F/22 1/250 ISO1600

Braketing 4 – Underexposed F/22 1/250 ISO1600

Braketing 3 - Correct Exposure F/22 1/250 ISO3200

Braketing 3 – Correct Exposure F/22 1/250 ISO3200

Braketing 2 - Overexposed F/22 1/250 ISO6400

Braketing 2 – Overexposed F/22 1/250 ISO6400

Braketing 1 - Overexposed F/22 1/250 ISO12800

Braketing 1 – Overexposed F/22 1/250 ISO12800

Rapid Motion Blur F/5.6 1/25 ISO100

Rapid Motion Blur F/5.6 1/25 ISO100

Rapid Motion Crisp F/5 1/250 ISO200

Rapid Motion Crisp F/5 1/250 ISO200

Straight Angle F/4.0 1/80 ISO1600

Straight Angle F/4.0 1/80 ISO1600

Additional Angle F/4.0 1/80 ISO1600

Additional Angle F/4.0 1/80 ISO1600

Crisp F/4.0 1/80 ISO1600

Crisp vs. Noisy F/4.0 1/80 ISO1600

Noisy F/20 1/25 ISO12800

Noisy vs. Crisp F/20 1/25 ISO12800

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