Deep Depth of Field: F/4.5 1/250 ISO200
Shallow Depth of Field: F/8.0 1/125 ISO400
White Balance: F/4.5 1/50 ISO400
White Balance: F/4.5 1/50 ISO400
White Balance: F/4.5 1/50 ISO400
White Balance: F/4.5 1/50 ISO400
White Balance: F/4.5 1/50 ISO400
White Balance: F/4.5 1/50 ISO400
White BalanceĀ F/4.5 1/50 ISO400
Braketing 8 – Underexposed F/22 1/250 ISO100
Braketing 7 – Underexposed F/22 1/250 ISO200
Braketing 6 – Underexposed F/22 1/250 ISO400
Braketing 5 – UnderexposedF/22 1/250 ISO800
Braketing 4 – Underexposed F/22 1/250 ISO1600
Braketing 3 – Correct Exposure F/22 1/250 ISO3200
Braketing 2 – Overexposed F/22 1/250 ISO6400
Braketing 1 – Overexposed F/22 1/250 ISO12800
Rapid Motion Blur F/5.6 1/25 ISO100
Rapid Motion Crisp F/5 1/250 ISO200
Straight Angle F/4.0 1/80 ISO1600
Additional Angle F/4.0 1/80 ISO1600
Crisp vs. Noisy F/4.0 1/80 ISO1600
Noisy vs. Crisp F/20 1/25 ISO12800